Samuel M. Delgado
출생 : 1987-01-01, Tenerife, Illas Canarias
약력
Has directed, alongside Helena Girón, Irmandade, Plus Ultra, Burning Mountains that Spew Flame, Neither God Nor Santa María as well as the installations and performance piece The Gods Are Also Present Here, There is no land beyond here and Exercices in listening. Their first feature film, Eles transportan a morte, was selected to participate in the Ikusmira Berriak program at the San Sebastian International Film Festival and Tabakalera.
He has taught at EICTV at San Antonio de los Baños (Cuba), ECAM, EQZE, the Film institute of Madrid and IFIC.
He has a degree in Audiovisual Communication, he got his Master in Screenwriting for film and TV from the University of Carlos III in Madrid and has participated in international workshops at the EICTV in direction and production.
Director
Writer
1492년 크리스토퍼 콜럼버스와 출항에 나선 선원 중 세 명은 죽음의 위험에서 벗어나기 위해 미지의 탐험에 동참한다. 탐험대가 카나리아 제도에 도착하자 셋은 돛을 탈취하여 도주한다.
Director
1492년 크리스토퍼 콜럼버스와 출항에 나선 선원 중 세 명은 죽음의 위험에서 벗어나기 위해 미지의 탐험에 동참한다. 탐험대가 카나리아 제도에 도착하자 셋은 돛을 탈취하여 도주한다.
Screenplay
20 세기 초반, 페드로는 강력한 지주의 결혼식 사진을 찍기 위해 티에라 델 푸에고에 도착한다. 페드로는 소녀 티가 아직 가시지 않은, 신부 사라의 순수한 아름다움을 포착하다 눈덮인 산 한가운데 버려지는데….
Director
A Irmandade of ghosts hides beneath the layers of time. Through Vasco da Ponte’s illustrated manuscripts, we search for a mythical past: one that resonates in a subterraneous form amongst a landscape full of invisible presences that are activated and take on a life of their own each time we think about them.
Screenplay
Renata presents herself to the camera like one of these fascinating film noir heroines: a beautiful woman with a nondescript accent, with assured gestures, who looks people right in the eyes. Sentenced to a prison term for a man’s murder, Renata has not lost her charisma behind bars. Does she accept the crime she committed? Does she regret having killed someone. A neighbour? A lover? Is she aware of her imprisonment?
Editor
도시외곽에서 벌어지는 공상과학 심포니. 우주 탐사를 위해 개발된 꿈의 기술은 그 반대방향인 지구 내부의 탐사도 가능하게 했으며, 그 결과 지하 세계를 탄생시켰다. 어마어마한 거미줄이 도시 위에 자리하고 눈에 보이는 도시공간에 밀접하게 의존하고 있다. 그것은 기능적인 공간이면서 감춰진 영역, 도시의 무의식이다.
Cinematography
"Plus Ultra" is the motto of the Spanish state. This slogan was used to encourage navigators to conquer new territories and to forget the warning from mythology: "Non Terrae Plus Ultra" (there is no land beyond here). The Canary Islands, testing ground for the tactics used during the colonization of the Americas, becomes the setting for a tale about this land.
Editor
"Plus Ultra" is the motto of the Spanish state. This slogan was used to encourage navigators to conquer new territories and to forget the warning from mythology: "Non Terrae Plus Ultra" (there is no land beyond here). The Canary Islands, testing ground for the tactics used during the colonization of the Americas, becomes the setting for a tale about this land.
Writer
"Plus Ultra" is the motto of the Spanish state. This slogan was used to encourage navigators to conquer new territories and to forget the warning from mythology: "Non Terrae Plus Ultra" (there is no land beyond here). The Canary Islands, testing ground for the tactics used during the colonization of the Americas, becomes the setting for a tale about this land.
Director
"Plus Ultra" is the motto of the Spanish state. This slogan was used to encourage navigators to conquer new territories and to forget the warning from mythology: "Non Terrae Plus Ultra" (there is no land beyond here). The Canary Islands, testing ground for the tactics used during the colonization of the Americas, becomes the setting for a tale about this land.
Director
A mysterious voyage down into the depths of one of the longest volcanic tunnels in Europe in order to excavate an idiosyncratic history of resistance.
Writer
A group of men are waiting at the fringes of a coastal woodland for the journey to Europe, in limbo between time and place. A film is shot there with the men playing themselves. Fiction and documentary constantly intertwine. Myths from the colonial past collide with dreams of a better future in the former oppressor’s country.
A group of men are waiting at the fringes of a coastal woodland for the journey to Europe, in limbo between time and place. A film is shot there with the men playing themselves. Fiction and documentary constantly intertwine. Myths from the colonial past collide with dreams of a better future in the former oppressor’s country.
Director of Photography
“Since airplanes did not exist, people moved around using prayers; they went from one land to another and returned early, before dawn. In old audio recordings, the voices of pastors speak of the mythical existence of witches and their travels. In the daily life of a woman, the magic of her tales begins to materialize as night falls. Night is the time when travel is possible.”—Samuel Delgado & Helena Girón
Writer
“Since airplanes did not exist, people moved around using prayers; they went from one land to another and returned early, before dawn. In old audio recordings, the voices of pastors speak of the mythical existence of witches and their travels. In the daily life of a woman, the magic of her tales begins to materialize as night falls. Night is the time when travel is possible.”—Samuel Delgado & Helena Girón
Director
“Since airplanes did not exist, people moved around using prayers; they went from one land to another and returned early, before dawn. In old audio recordings, the voices of pastors speak of the mythical existence of witches and their travels. In the daily life of a woman, the magic of her tales begins to materialize as night falls. Night is the time when travel is possible.”—Samuel Delgado & Helena Girón
Director
Writer
A man tries to start life in the stone by the volcano spit. An everyday marked by hostility of a beautiful and terrible enviroment.
Director
A man tries to start life in the stone by the volcano spit. An everyday marked by hostility of a beautiful and terrible enviroment.
