Samuel M. Delgado
Nascimento : 1987-01-01, Tenerife, Illas Canarias
História
Has directed, alongside Helena Girón, Irmandade, Plus Ultra, Burning Mountains that Spew Flame, Neither God Nor Santa María as well as the installations and performance piece The Gods Are Also Present Here, There is no land beyond here and Exercices in listening. Their first feature film, Eles transportan a morte, was selected to participate in the Ikusmira Berriak program at the San Sebastian International Film Festival and Tabakalera.
He has taught at EICTV at San Antonio de los Baños (Cuba), ECAM, EQZE, the Film institute of Madrid and IFIC.
He has a degree in Audiovisual Communication, he got his Master in Screenwriting for film and TV from the University of Carlos III in Madrid and has participated in international workshops at the EICTV in direction and production.
Director
Writer
1492. Among the crew led by Christopher Columbus travel three men who by now should have been dead. They managed to avoid their sad fate by participating in this uncertain journey. After reaching the Canary Islands they flee taking with them one of the ship's sails. Meanwhile, in the "Old World", a woman tries to save her dying sister by taking her to a healer. Both of these trips attempt to make fun of death. Both of these trips are at the mercy of history
Director
1492. Among the crew led by Christopher Columbus travel three men who by now should have been dead. They managed to avoid their sad fate by participating in this uncertain journey. After reaching the Canary Islands they flee taking with them one of the ship's sails. Meanwhile, in the "Old World", a woman tries to save her dying sister by taking her to a healer. Both of these trips attempt to make fun of death. Both of these trips are at the mercy of history
Screenplay
Final do século XIX. Pedro chega à Terra do Fogo para fotografar o casamento de um latifundiário. Ao fotografar a beleza da noiva, Pedro trai o poder dominante e é forçado a participar de uma nova sociedade que está sendo construída em torno do genocídio do povo Selknam.
Director
A Irmandade of ghosts hides beneath the layers of time. Through Vasco da Ponte’s illustrated manuscripts, we search for a mythical past: one that resonates in a subterraneous form amongst a landscape full of invisible presences that are activated and take on a life of their own each time we think about them.
Screenplay
Renata presents herself to the camera like one of these fascinating film noir heroines: a beautiful woman with a nondescript accent, with assured gestures, who looks people right in the eyes. Sentenced to a prison term for a man’s murder, Renata has not lost her charisma behind bars. Does she accept the crime she committed? Does she regret having killed someone. A neighbour? A lover? Is she aware of her imprisonment?
Editor
A stunning descent into the tunnels, sewage pipes and subway stations of Madrid.
Cinematography
"Plus Ultra" is the motto of the Spanish state. This slogan was used to encourage navigators to conquer new territories and to forget the warning from mythology: "Non Terrae Plus Ultra" (there is no land beyond here). The Canary Islands, testing ground for the tactics used during the colonization of the Americas, becomes the setting for a tale about this land.
Editor
"Plus Ultra" is the motto of the Spanish state. This slogan was used to encourage navigators to conquer new territories and to forget the warning from mythology: "Non Terrae Plus Ultra" (there is no land beyond here). The Canary Islands, testing ground for the tactics used during the colonization of the Americas, becomes the setting for a tale about this land.
Writer
"Plus Ultra" is the motto of the Spanish state. This slogan was used to encourage navigators to conquer new territories and to forget the warning from mythology: "Non Terrae Plus Ultra" (there is no land beyond here). The Canary Islands, testing ground for the tactics used during the colonization of the Americas, becomes the setting for a tale about this land.
Director
"Plus Ultra" is the motto of the Spanish state. This slogan was used to encourage navigators to conquer new territories and to forget the warning from mythology: "Non Terrae Plus Ultra" (there is no land beyond here). The Canary Islands, testing ground for the tactics used during the colonization of the Americas, becomes the setting for a tale about this land.
Director
A mysterious voyage down into the depths of one of the longest volcanic tunnels in Europe in order to excavate an idiosyncratic history of resistance.
Writer
A group of men are waiting at the fringes of a coastal woodland for the journey to Europe, in limbo between time and place. A film is shot there with the men playing themselves. Fiction and documentary constantly intertwine. Myths from the colonial past collide with dreams of a better future in the former oppressor’s country.
A group of men are waiting at the fringes of a coastal woodland for the journey to Europe, in limbo between time and place. A film is shot there with the men playing themselves. Fiction and documentary constantly intertwine. Myths from the colonial past collide with dreams of a better future in the former oppressor’s country.
Director of Photography
“Since airplanes did not exist, people moved around using prayers; they went from one land to another and returned early, before dawn. In old audio recordings, the voices of pastors speak of the mythical existence of witches and their travels. In the daily life of a woman, the magic of her tales begins to materialize as night falls. Night is the time when travel is possible.”—Samuel Delgado & Helena Girón
Writer
“Since airplanes did not exist, people moved around using prayers; they went from one land to another and returned early, before dawn. In old audio recordings, the voices of pastors speak of the mythical existence of witches and their travels. In the daily life of a woman, the magic of her tales begins to materialize as night falls. Night is the time when travel is possible.”—Samuel Delgado & Helena Girón
Director
“Since airplanes did not exist, people moved around using prayers; they went from one land to another and returned early, before dawn. In old audio recordings, the voices of pastors speak of the mythical existence of witches and their travels. In the daily life of a woman, the magic of her tales begins to materialize as night falls. Night is the time when travel is possible.”—Samuel Delgado & Helena Girón
Director
Writer
A man tries to start life in the stone by the volcano spit. An everyday marked by hostility of a beautiful and terrible enviroment.
Director
A man tries to start life in the stone by the volcano spit. An everyday marked by hostility of a beautiful and terrible enviroment.
