Patti Lee

참여 작품

해나 개즈비: 나의 더글러스
Director of Photography
첫 스페셜로 안티가 생긴 해나 개즈비. 후속작에서 악담 따윈 간식거리로 해치운다. 한편, 여자 몸엔 '더글러스'가 있다는데, 이름 참 희한하네? 반려견이 부른 별난 고찰부터 여성이 지었다면 달랐을 이름까지, 발칙한 상상력이 온다.
Fat Camp
Director of Photography
Fitness buff Hutch Daily is a foul-mouthed 27 year-old with the maturity of a pre-teen. After refusing to find employment or his own apartment, his mom gives him two choices: move to the homeless shelter or work at his uncle’s fat camp. Though he thinks fatties are disgusting, Hutch finds himself supervising an irreverent group of chunky boys, who ultimately help him grow up.
Boys in Blue
Director of Photography
Teenage cops Cooper and Tanner with the Junior Varsity Police Department patrol the under 18 crowd.
Reversion
Director of Photography
In a world in which the past, present and future simultaneously unfold, a woman whose genetic mutation leaves her devoid of morality struggles to preserve her romance with the man she loves.
Bunny
Director of Photography
Premiering at the 2000 Los Angeles Independent Film Festival, Bunny offers a look at an Eastern European couple's difficult introduction to American culture. Arriving in an anonymous U.S. city, Nik (Edyk Dratver) and Luda (Petra Tikalova) are taken in by Luda's brusque Aunt Elise (Elizabeth Liebel). As they attempt to find work, Nik and Luda meet with a slew of xenophobic rejection until finally they land jobs as part of an experimental public works project. The project requires the couple to dress up in pink bunny costumes and offer anonymous, understated moral support to the city's denizens. While Nik, who was a lawyer back home, is disgusted by his new job, Luda revels in it, and their marriage soon enters a territory as rocky as their assimilation.
Bird by Bird with Annie: A Film Portrait of Writer Anne Lamott
Assistant Camera
From Academy Award-winning filmmaker Freida Lee Mock, ‘Bird by Bird with Annie’ offers an intimate portrait of a writer and her craft, interweaving the story of Anne Lamott's life—in itself a deeply moving tale of addiction and redemption, grief and joy, intellect and faith—with a year's worth of interviews, public lectures, and footage of the writer at work, focusing particularly on Lamott's candid, humorous, and disarmingly straightforward advice on the struggles and joys of writing. The author's reassurance and guidance concerning the process of writing—which has little resemblance to its glorified image—becomes a stirring call to action celebrating the potential of each individual, the silencing of our inner critics, and the courage to create something honest and meaningful. Poignant and inspirational, ‘Bird by Bird with Annie’ takes us deep into Anne Lamott's intoxicatingly brave world, one in which writing is a means of finding out who we are, how we live, and why we're here.
플레전트빌
Rigging Gaffer
서로 다른 TV프로그램을 보려고 다투던 데이빗(토비 맥과이어)과 여동생 제니퍼(리즈 위더스푼)는 TV 시트콤 속으로 빨려들어가게 된다. 시트콤의 무대가 되는 마을 플레전트빌은 화면처럼 흑백으로 된 세상이었다. 등장인물인 파커 가족의 일원이 된 데이빗과 제니퍼는 마을 사람들이 성적으로 무지한데다 획일적인 사고 방식을 가진 것을 발견한다. 개방적인 사고 방식을 지닌 데이빗과 성적으로 분방한 제니퍼는 마을 사람들에게 사랑,성욕,분노,질투 등의 원색적인 감정을 퍼뜨리고 그 둘 덕에 마을 사람들은 '인간다움'을 배워가기 시작한다. 더불어 무채색의 플레전트 빌에도 하나둘 씩 색채가 물들기 시작하는데...