Director of Photography
Hannah Gadsby volta para seu segundo especial de stand-up e fala sobre as complexidades da popularidade, identidade e uma estranha conversa durante um passeio no parque.
Director of Photography
Um jovem acima do peso, Hutch Daley, se torna um jovem adulto insuportável agora que é bonito e extremamente fit. Frustrada com o imenso egoísmo e falta de emprego, a mãe de Hutch manda o filho trabalhar como orientador de acampamento no Acampamento Visão, o acampamento para gordinhos que ajudou o rapaz a perder peso na adolescência. Infeliz por ter que perder seu tempo ajudando campistas gordos, as atitudes de Hutch mudam quando ele descobre o bônus monetário para orientadores que fizerem seus campistas perderem dez por cento da massa de gordura do corpo. Motivado pelo desejo de impressionar uma orientadora bonita e ganhar um dinheiro extra, Hutch se compromete com a tarefa.
Director of Photography
Teenage cops Cooper and Tanner with the Junior Varsity Police Department patrol the under 18 crowd.
Director of Photography
In a world in which the past, present and future simultaneously unfold, a woman whose genetic mutation leaves her devoid of morality struggles to preserve her romance with the man she loves.
Director of Photography
Premiering at the 2000 Los Angeles Independent Film Festival, Bunny offers a look at an Eastern European couple's difficult introduction to American culture. Arriving in an anonymous U.S. city, Nik (Edyk Dratver) and Luda (Petra Tikalova) are taken in by Luda's brusque Aunt Elise (Elizabeth Liebel). As they attempt to find work, Nik and Luda meet with a slew of xenophobic rejection until finally they land jobs as part of an experimental public works project. The project requires the couple to dress up in pink bunny costumes and offer anonymous, understated moral support to the city's denizens. While Nik, who was a lawyer back home, is disgusted by his new job, Luda revels in it, and their marriage soon enters a territory as rocky as their assimilation.
Assistant Camera
From Academy Award-winning filmmaker Freida Lee Mock, ‘Bird by Bird with Annie’ offers an intimate portrait of a writer and her craft, interweaving the story of Anne Lamott's life—in itself a deeply moving tale of addiction and redemption, grief and joy, intellect and faith—with a year's worth of interviews, public lectures, and footage of the writer at work, focusing particularly on Lamott's candid, humorous, and disarmingly straightforward advice on the struggles and joys of writing. The author's reassurance and guidance concerning the process of writing—which has little resemblance to its glorified image—becomes a stirring call to action celebrating the potential of each individual, the silencing of our inner critics, and the courage to create something honest and meaningful. Poignant and inspirational, ‘Bird by Bird with Annie’ takes us deep into Anne Lamott's intoxicatingly brave world, one in which writing is a means of finding out who we are, how we live, and why we're here.
Rigging Gaffer
Nos anos 90 David (Tobey Maguire) é um jovem solitário, que não é feliz com sua vida e foge da realidade assistindo "Pleasantville", um seriado em preto e branco dos anos 50 onde tudo é agradável. Mas tudo muda bruscamente quando Jennifer (Reese Whisterpoon), sua irmã, que sexualmente muito mais ativa que David, briga com ele pela posse de um estranho controle remoto, que apareceu através de um igualmente estranho técnico de televisão (Don Knotts), que chegou repentinamente logo após eles terem quebrado o antigo controle. Durante a briga eles apertam o novo controle e são magicamente transportados para dentro da fictícia "Pleasantville" e lá se tornam Bud e Mary-Sue Parker, dois personagens da série.
