Juliette Goublet
Paris in 1942. Annette is 20 years old, Jean is barely older, they love each other and the future is bright for them. But the deportation of the Jews of France will change their destiny. Upset at the idea of their only son marrying a Jewish woman, Jean Jausion's parents decide to keep young Annette Zelman away from them... and denounce her to the Gestapo. The machine was launched, but it was too late. Annette was deported to Auschwitz on June 22, 1942.
Magda
작가를 꿈꾸는 대학생 안은 예기치 못한 임신 사실을 알게 된다. 낳으면 미혼모가 되고, 낳지 않으면 감옥에 가야 하는 현실. 의지와 상관없이 흘러가는 시간 속에서 안은 어떤 대가를 치러서라도 끝까지 가기로 결심하는데…
La secrétaire de Lamine
Stéphane, Cathy and Thierry are the best employees of the Employment Agency of their city. But their results are so good that the agency will have to close because of a lack of unemployed. The three colleagues then have the crazy idea of creating unemployment to save their job.
Grocer
19세기 말 벨 에포크 시대. 퇴물 취급을 받던 광대 ‘푸티트’(제임스 티에레)는 새로운 무대를 구상하던 중 식인종을 연기하는 흑인 광대 ‘쇼콜라’(오마 사이)를 만나 콤비를 이룰 것을 제안한다. 모두에게 실패할 것이라 무시당한 그들의 첫 무대는 큰 성공을 이루고, 두 사람은 최고의 권위인 프랑스 파리 누보 서커스단에 스카우트되어 전성기를 누린다. 더 큰 무대와 완벽한 연기를 꿈꾸는 ‘푸티트’와 달리 파리의 화려한 생활과 명성에 취해 방황하는 ‘쇼콜라’. 두 콤비의 쇼가 유명해질수록 이들의 우정은 점점 위태로워지는데… 꿈과 예술의 도시 파리를 사로잡은 두 광대의 환상적인 실화! 그들의 황금빛 무대로 지금 당신을 초대합니다!
Solange
In a nursing home for disabled near Toulon, René is unanimously hated by all. With fifty years and suffering from myopathy, has an irascible, rebellious character. But not resist provocations candor and uprightness of Julie, a special educator rookie. He confesses he wants to make love to a woman before her degenerative disease definitely catch it. Then Julie goes after one of the prostitutes who work in caravans along the N7.
It is a story of a depressed, isolated man stuck in a tedious but well-paying programming job.
Gabrielle
This 1991 production by the Lyon National Opera presents a welcome opportunity to revel in a uniquely Gallic confection rarely seen outside France. It's also a chance to enjoy one of Offenbach's most inventive, melodic scores in which the starring musical role and many of the best tunes go to the orchestra, here conducted by Jean-Yves Ossonce. This is no accident: the operetta was originally created for a company of actors who relied on pastiche and the composer's help to get them through their "numbers". Not so these singers, of course. As Metella, the languorous courtesan who is responsible for the unravelling debacle, Helene Delavault is in meltingly good voice for her show-stopping rondeau, "A minuit sonnant commence la fete". Her sparring suitors Gardefeu (Jean-Francois Sivadier) and, particularly, Bobinet (Jacques Verzier) combine marvellous visual comedy with fluid singing and there is some dazzling vocal work from the supporting cast. It's a long piece, but hugely enjoyable.
