Isabelle Mazin

Paris in 1942. Annette is 20 years old, Jean is barely older, they love each other and the future is bright for them. But the deportation of the Jews of France will change their destiny. Upset at the idea of their only son marrying a Jewish woman, Jean Jausion's parents decide to keep young Annette Zelman away from them... and denounce her to the Gestapo. The machine was launched, but it was too late. Annette was deported to Auschwitz on June 22, 1942.

1963 год. Анна учится в университете и мечтает о писательской карьере. Незадолго до выпускных экзаменов она обнаруживает, что беременна, и эта «благая весть» может поставить крест на ее будущем. Девушка становится заложницей не только собственного тела, но и общественной морали, подавляющей свободу. Времени на раздумья почти не остается, и Анна решается на невероятное. Она готова преступить закон, рискуя оказаться за решеткой.

Stéphane, Cathy and Thierry are the best employees of the Employment Agency of their city. But their results are so good that the agency will have to close because of a lack of unemployed. The three colleagues then have the crazy idea of creating unemployment to save their job.

Это история первого во Франции чернокожего клоуна, выступавшего в тандеме с белым клоуном, вышедшим было в тираж, а с появлением нового партнера вернувшим себе былую славу. Их номера были чрезвычайно популярны в конце XIX века, но интерес к ним был востребован преимущественно из-за того, что белый клоун издевался над чернокожим.

In a nursing home for disabled near Toulon, René is unanimously hated by all. With fifty years and suffering from myopathy, has an irascible, rebellious character. But not resist provocations candor and uprightness of Julie, a special educator rookie. He confesses he wants to make love to a woman before her degenerative disease definitely catch it. Then Julie goes after one of the prostitutes who work in caravans along the N7.

It is a story of a depressed, isolated man stuck in a tedious but well-paying programming job.

This 1991 production by the Lyon National Opera presents a welcome opportunity to revel in a uniquely Gallic confection rarely seen outside France. It's also a chance to enjoy one of Offenbach's most inventive, melodic scores in which the starring musical role and many of the best tunes go to the orchestra, here conducted by Jean-Yves Ossonce. This is no accident: the operetta was originally created for a company of actors who relied on pastiche and the composer's help to get them through their "numbers". Not so these singers, of course. As Metella, the languorous courtesan who is responsible for the unravelling debacle, Helene Delavault is in meltingly good voice for her show-stopping rondeau, "A minuit sonnant commence la fete". Her sparring suitors Gardefeu (Jean-Francois Sivadier) and, particularly, Bobinet (Jacques Verzier) combine marvellous visual comedy with fluid singing and there is some dazzling vocal work from the supporting cast. It's a long piece, but hugely enjoyable.