Suman Mukhopadhyay
출생 : 1966-11-20, Howrah, West Bengal, India
약력
Suman Mukhopadhyay is an Indian film director. His first cinematic directorial debut film was Herbert which was released in 2005. Herbert won the National Award for Best Bengali film.
He is in the post-production of his latest Hindi feature film "Nazarband". His last film is "Asamapta"(Incomplete), premiered in IFFLA, USA and is on Netflix. Before that "Shesher Kabita" (The Last Poem) with Rahul Bose and Konkona Sen Sharma premiered in Dubai International Film Festival and released on 7 August 2015. "Kangal Malsat"(The War Cry of the Beggars) his 4th feature film released on August 2013. Mahanagar@Kolkata was completed in 2009. The film was screened in Munich, Kerala and New York film festivals. His second film Chaturanga, based on Tagore's novel, was completed in 2008 and premiered at the Montreal World Film Festival. Chaturanga was screened in 36 national and international festivals. The film received a Gran Prix award at Bridgefest, Sarajevo; the Best Director award at the Philadelphia Independent Film Festival and the Golden Palm at Mexico International Film Festival.[citation needed]
Recently Mukhopadhyay has done a Zee5 original feature film Posham Pa and directed five episodes of Parchhayee based on Ruskin Bond stories.[1]
Mukhopadhyay has done theatre productions ranging from European drama to major adaptations of Bengali works. He used to be a part of Bengali theatre Group Chetana. Among his many works some are Raja Lear, Sunyo Sudhu Sunyo Noy, Bisarjan, Teesta Paarer Brittanto and Samay Asamayer Brittanto, adapted from the novels by Debesh Roy and Mephisto, based on Klaus Mann's German novel. He has also staged Rabindranath Tagore's Raktakarabi; Falguni-Prelude, Shakespeare/Brecht's Coriolanus and Śūdraka's The Little Clay Cart. He directed The Man of the Heart (Life and times of Lalon Fokir) at the University of California, Berkeley and Girish Karnad's Nagamandala at the Department of Theatre, Kalamazoo College, Michigan. Man of the Heart was also invited to Barbican Centre, London.
The film is about a couple and how their relationship changes amid the pandemic and the lockdown.
Director
이 영화는 감옥에서 막 석방되어 남편과 아이를 찾아가는 바산티와 전과자인 찬두의 로드무비이다. 적대자에서 동반자로, 동반자에서 연인으로 발전하는 두 사람의 관계는 전형적인 것 같지만 주변부 인생을 살아온 두 사람의 사연이 하나씩 펼쳐지면서 만만치 않은 정서적 울림을 준다. 바산티가 아들을 만났음에도 불구하고 정착할 수 없었던 시골과는 달리, 두 사람이 탈주와 도주를 거듭했던 대도시는 폭력에 물들고 범죄가 지배하는 공간이지만, 결국 이들이 살아가야 할 삶의 중심부이다. 바산티가 아들을 만나기 전에 두 주인공이 성스러운 강에서 목욕을 함으로써 자기 정화를 한다는 설정도 흥미롭다. 실제로 찬두는 이 성스러운 목욕 이후 범죄 집단의 동료들과 연락하던 전화를 던져버림으로써 과거의 삶과 결별하고 새로운 삶을 향해 나아가려 한다.
Director
Gundeep and Nikhat are making a documentary on the government-based project of psycho women who killed several kids with her daughters. Prajakta Deshpande was a psycho woman who would sleep with men and kill them after robbing their valuables this bought a very bad upbringing for her daughter Rega who also lost mental imbalance as she was badly abused by Prajakta. Prajakta then married military officer Deshpande and had a daughter Shikha and things were going fine but old habits die soon.
Himself
A documentary on the infamous Bengali magic realist, Nabarun is an exclamation mark in Bengali literature, the emphatic interjector. The film tries to get into the noisy, grimy, scratchy insides of Nabarun's mind as his characters shamelessly hustle, behave atrociously and try to exist in a violent hostile world.
Director
Doll’s House is a Hindi play starring Swastika Mukherjee, Subhrajyoti Barat, Ratnabali Bhattacharya and Dibyendu Bhattacharya. Keya is a pampered wife and her husband, Shubhodeep, treats her like his most prized possession. All decisions are made by Shubhodeep and the only time Keya lies to her husband is when she takes help from Bansi, her husband’s colleague. Will Bansi spill the beans and put her marriage at stake?
Shubodeep Sanyal
Manju Singh and her husband are hosting a get-together of families on a really warm night. Between the snacks, drinks and the laughs, something completely unexpected happens.
Screenplay
Indrajit (played by the consistently stellar Ritwick Chakraborty) is an intelligent if indecisive man of 35 on holiday from Kolkata to visit his old college friend Moloy. He arrives to find Moloy constantly battling with his neglected wife Tuki, a formidable woman seeking elsewhere for the tenderness she fails to receive at home. In town, Indrajit comes across a familiar man whose insistence that they’ve never met before clearly masks an intriguing secret. Then, Indrajit runs into an old lover and her jealous husband, setting the stage for some fierce confrontation.
Director
Indrajit (played by the consistently stellar Ritwick Chakraborty) is an intelligent if indecisive man of 35 on holiday from Kolkata to visit his old college friend Moloy. He arrives to find Moloy constantly battling with his neglected wife Tuki, a formidable woman seeking elsewhere for the tenderness she fails to receive at home. In town, Indrajit comes across a familiar man whose insistence that they’ve never met before clearly masks an intriguing secret. Then, Indrajit runs into an old lover and her jealous husband, setting the stage for some fierce confrontation.
Screenplay
The film recounts the love story of Amit Ray, a barrister educated at Oxford, whose virulent intellectualism reveals itself in its opposition to all forms of tradition. He meets Labanya in a car accident and the romance builds up in the misty hills of Shillong. The iconoclastic Amit clashes with the sincerely simple Labanya. Labanya releases Amit's own submerged depth of sincerity, which he finds hard to adjust to. The struggle makes him a curiously pathetic figure. The tragedy is understood by the girl who releases him from his troth and disappears from his life.
Director
The film recounts the love story of Amit Ray, a barrister educated at Oxford, whose virulent intellectualism reveals itself in its opposition to all forms of tradition. He meets Labanya in a car accident and the romance builds up in the misty hills of Shillong. The iconoclastic Amit clashes with the sincerely simple Labanya. Labanya releases Amit's own submerged depth of sincerity, which he finds hard to adjust to. The struggle makes him a curiously pathetic figure. The tragedy is understood by the girl who releases him from his troth and disappears from his life.
Senior Shailen
Bengal episode film with three stories.
Screenplay
Tired of the corrupt Communist regime and its policies, a group of flying humans and black magicians join forces to hatch a conspiracy and wage a guerrilla attack against the totalitarian government and overthrow it.
Director
Tired of the corrupt Communist regime and its policies, a group of flying humans and black magicians join forces to hatch a conspiracy and wage a guerrilla attack against the totalitarian government and overthrow it.
Whenever love leaves, it leaves traces. Those traces cling on to old times and familiar spaces.
Screenplay
Director Suman Mukhopadhyay has strung three stories of Nabarun Bhattacharya Ek Tukro Nyloner Dori, Amar Kono Bhoy Nei Toh and Angshik Chandragrahan to create this film. The story of the film revolves around the people and their life of Kolkata metropolitan city.[1] The film explores the different worlds of Manmatha, Jagadish, Biren, Rohit, Rongili and Kamalini. Manmatha and Jagadish belong to different economic and social class. Biren is jobless. Rohit is an NRI, Kamalini is wife of Rohit. Rohit has a relationship with Rangili, another woman. ~Wikipedia
Director
Director Suman Mukhopadhyay has strung three stories of Nabarun Bhattacharya Ek Tukro Nyloner Dori, Amar Kono Bhoy Nei Toh and Angshik Chandragrahan to create this film. The story of the film revolves around the people and their life of Kolkata metropolitan city.[1] The film explores the different worlds of Manmatha, Jagadish, Biren, Rohit, Rongili and Kamalini. Manmatha and Jagadish belong to different economic and social class. Biren is jobless. Rohit is an NRI, Kamalini is wife of Rohit. Rohit has a relationship with Rangili, another woman. ~Wikipedia
Screenplay
Defying his father’s wishes by following his rebellious uncle’s example, a young Bengali from an upper caste tries to help those on the lower end of the spectrum and, while he’s at it, offers to marry his brother’s pregnant mistress.
Director
Defying his father’s wishes by following his rebellious uncle’s example, a young Bengali from an upper caste tries to help those on the lower end of the spectrum and, while he’s at it, offers to marry his brother’s pregnant mistress.
Screenplay
Based on Nabarun Bhattacharyas novel of the same name which won the highest literary prize in India in 1997, Suman Mukhopadhyays debut feature Herbert is a deeply moving and artistically accomplished motion picture full of profound laughter, pathos, and humanity.
Director
Based on Nabarun Bhattacharyas novel of the same name which won the highest literary prize in India in 1997, Suman Mukhopadhyays debut feature Herbert is a deeply moving and artistically accomplished motion picture full of profound laughter, pathos, and humanity.
It is Christmas Day in Calcutta and David Dawson is off to celebrate it with his sweetheart, Nandini Shom. The meeting does not go well as Nandini wants him to start working so that they can get married and start a family, while David wants a career as a musician. She tells him that she will never see him again. Despondent, he returns to his rented apartment and is chided by his landlady, Lillian, who threatens to have him evicted as he has been delinquent in paying his rent for over a year...
Director
WWII is looming large. A forlorn doctor longs for intellectual romance. Based on Manik Bandyopadhyay’s seminal novel, a humble protest against the hypocrites who tend to play with the lives of humans as if they were puppets
