Stephen Mallinder

참여 작품

The Tourist - Redux
Musician
Regarded by many as one of the greatest sci-fi scripts never made, The Tourist tells the story of a sex-charged alien underworld in the heart of Manhattan. After attracting attention from luminaries of the film world including visionary director Francis Ford Coppola and Quadrophenia's Franc Roddam, the film ultimately fell into production limbo. Centred around Stephen Mallinder's position as one of the world's foremost electronic music pioneers through his work with Cabaret Voltaire and featuring Phil Winter of Tunng and acclaimed electronic producer Benge, Wrangler will provide a live soundtrack to the dark script with visuals from Tash Tung and live visuals from Dan Conway.
Industrial Soundtrack for the Urban Decay
Industrial Soundtrack For The Urban Decay traces the origins of Industrial music, taking you on a journey through the crumbling industrial cities of Europe to America's thriving avant-garde scene. Featuring Throbbing Gristle, Cabaret Voltaire, NON, SPK, Test Dept, Clock DVA, Re/Search - V Vale, Z'EV, Click Click, Sordide Sentimental, Hula, The Klinik, Ant Zen, Orphx, In The Nursery and Prima Linea.
Doublevision Presents: Cabaret Voltaire
Himself
This scintillating compilation of various Cabaret Voltaire albums and singles makes a great introduction to this interesting group. Tracks include "Diskono," "Obsession," "Nag Nag Nag," "Seconds Too Late," "This Is Entertainment," "Badge of Evil," "Eddie's Out," "Landslide," "Photophobia," "Extract from Johnny Yesno," "Walls of Jericho," "Moscow," "Trash (Parts I & II)" and more.
Recoil
Music
1981 short film made by Nik Allday, the drummer on Cabaret Voltaire’s critically acclaimed third album ‘Red Mecca’, and features music by Allday and the Cabs’ Stephen Mallinder. The 10 minute abstract film uses raw material of video feedback and some nuclear bomb footage to represent “the cruel chaotic dysfunctional nature of the human condition with all its potential for self destruction”. Allday wanted a soundtrack that complemented the film thematically and approached Mallinder to see if he’d be interested in creating the audio.