Vasileia Rozana

약력

Vassilia Rozana is known for her work on Before Midnight (2013), Digger (2020) and Attenberg (2010).

참여 작품

Not to Be Unpleasant But We Need To Have a Serious Talk
Costume Design
Womanizer Aris finds out he is a carrier of a sexually transmitted virus, lethal only for women. But he is also the only hope for a curing vaccine if he finds which one of his ex girlfriends had the first viral strain.
카잔자키스
Costume Supervisor
그리스의 찬란함을 담은 섬, 크레타. 그곳에서부터 시작된 완전한 자유를 위한 여정. 전 세계인들이 손꼽는 스테디셀러 「그리스인 조르바」를 써낸 20세기 그리스의 가장 위대한 작가 ‘니코스 카잔자키스’. 그가 꿈꾸던 자유, 우정, 사랑에 대한 삶의 기행.
Preparation
Costume Design
Three generations of women in one household do what they can to prepare for the impending loss of one of their number.
Limbo
Costume Designer
The leopard shall lie down with the goat. The wolves shall live with the lambs. And the young boy will lead them. 12+1 kids and the carcass of a whale washed ashore…
Chevalier
Costume Design
In the middle of the Aegean Sea, six men on a fishing trip on a luxury yacht decide to play a game. During this game, things will be compared. Things will be measured. Songs will be butchered, and blood will be tested. Friends will become rivals and rivals will become hungry. But at the end of the journey, when the game is over, the man who wins will be the best man. And he will wear on his smallest finger the victory ring: the Chevalier.
7 Kinds of Wrath
Costume Design
Petros is a gay archaeologist who experiences the naked Greek paranoia in the center of Athens. Either by choice or coincidence, he comes into contact with people who are "different": An Arab immigrant, who comes to Greece, a land of "infidels", determined to conquer it by any means; A Greek-French cello player, who is burdened by the agony of her alcoholic mother; A young Albanian pianist, who carries the curse of his own personal genius and divinity; A Greek immigrant, who was repatriated but now has nowhere to call home; A bank director, who believes everything can be bought, even love; A patrolman, who creates his own version of socio-political reality. Petros' contact with these people is in fact a traumatic experience. For each encounter he has to pay a price. Sometimes the price is material, while other times it's emotional. At times it is both. Will the experience gained make up for the loss?
비포 미드나잇
Costume Design
18년 전 비엔나행 기차에서 우연히 만나고 9년 전 파리에서 재회한 제시와 셀린느. 이제 40대에 접어든 셀린느와 제시는 따사로운 석양빛이 인상적인 그리스 남부의 아름다운 도시 펠로폰네소스에 머물고 있다. 유명 작가의 반열에 오른 제시가 이곳의 레지던시에 초청받으며 가족들을 함께 데려온 것. 신화와 비극을 안고 있는 유적들을 배경으로 그들은 음식을 나눠먹거나 한가로이 산책하고, 또 사랑에 관한 의견들을 나눈다. 다시 열차에서 봐도 말을 걸어오겠냐는 그녀의 질문에 당연하지라고 대답하는 제시. 바로 지금, 이들의 아직 끝나지 않은 사랑이라는 여행이 시작되는데...
알프스
Costume Design
간호사, 체조선수, 그의 코치 등이 결성한 ‘알프스’라는 이름의 조직이 있다. 이 조직은 유족들의 돈을 받고 그들의 딸, 아내, 애인 등 죽은 자들의 빈 자리를 대신 채워주는 일을 한다. 현대 사회 속 개인의 고독과 필요를 개성 있게 다룬 수작.
아텐버그
Nurse
Marina, 23, is growing up with her architect father in a prototype factory town by the sea. Finding the human species strange and repellent, she keeps her distance...that is until a stranger comes to town and challenges her to a foosball duel, on her own table. Her father, meanwhile, ritualistically prepares for his exit from the 20th century, which he considers to be "overrated."
아텐버그
Costume Design
Marina, 23, is growing up with her architect father in a prototype factory town by the sea. Finding the human species strange and repellent, she keeps her distance...that is until a stranger comes to town and challenges her to a foosball duel, on her own table. Her father, meanwhile, ritualistically prepares for his exit from the 20th century, which he considers to be "overrated."