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A captivating and personal detective story that uncovers the truth behind the childhood of Michaël Prazan's father, who escaped from Nazi-occupied France in 1942 thanks to the efforts of a female smuggler with mysterious motivations.
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구약 성서에서, 산은 베헤모스라는 이름의 괴수가 거주하는 곳이다. 현대에 와서는 거대한 광산 기업들이 괴수의 공간을 차지했다. 단테의 『신곡』에서 영감을 받은 감독은 보이스오버를 통해 지옥으로 변해버린 중국의 낙원 찾기에 대한 그의 시적인 성찰을 공유한다. 전설 속의 괴수는 한 번이라도 이런 꿈을 꾼 적이 있었을까? (2016년 제13회 서울환경영화제)
Director
The 23,000km long route of the Incas laces its way through the Cordillera range of the Andes. This road network served as the major means of transport, of communication and of government administration in the history of pre-colonialist America. The film covers three periods that deeply marked this region and its Indian tribes. Three phases, three eras for a road, and a history of violence and injustice that constantly repeats itself. Crystallizing the spirit of the conquests that took place in the Atacama Desert, a Peruvian prince once said in regard to the Indians: “We must spare our enemies or we will hurt ourselves, because they will soon be ours with all that is theirs”. In visualizing this statement, it is easy for us to imagine what hell the men of these lands endured during centuries of invasion and submission.
Director
4 of the world biggest astronomical observatories have been built in the Atacama desert (Chile). A new observatory, the ALMA, is going to be constructed close to an Indian village established in the same Cordillera for centuries. The film questions the co-existence on the same territory of two visions of the sky: scientists’ "rational" view and the Indians’ "magical" one.
Writer
A deep story about the routine in Inca de Oro, a sunken town in the north of Chile, where Carmen Castillo goes deep into the immobile memory of men and women clinging to the loneliness of gold. The documentary shows the life of the pirquineros and their families.
Director
1980s. The Counter-Revolution from three media points of view: that of the United States, that of foreign countries and that of Nicaragua . Comparison of the "reality" of Nicaragua in a "state of war" and how it is portrayed by the American media, which is heavily influenced by the role of the United States in this conflict. Various documents illustrate this approach: NBC and ABC television reports on recent events; the American NB Archives on the history of Nicaragua; a film shot by the Sandinista army; and Super 8 reports shot by the two journalists in December 1985 and January 1986.
