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A captivating and personal detective story that uncovers the truth behind the childhood of Michaël Prazan's father, who escaped from Nazi-occupied France in 1942 thanks to the efforts of a female smuggler with mysterious motivations.
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Under the sun, the heavenly beauty of grasslands will soon be covered by the raging dust of mines. Facing the ashes and noises caused by heavy mining , the herdsmen have no choice but to leave as the meadow areas dwindle. In the moonlight, iron mines are brightly lit throughout the night. Workers who operate the drilling machines must stay awake. The fight is tortuous, against the machine and against themselves. Meanwhile, coal miners are busy filling trucks with coals. Wearing a coal-dust mask, they become ghostlike creatures. An endless line of trucks will transport all the coals and iron ores to the iron works. There traps another crowd of souls, being baked in hell. In the hospital, time hangs heavy on miners' hands. After decades of breathing coal dust, death is just around the corner. They are living the reality of purgatory, but there will be no paradise.
Director
The 23,000km long route of the Incas laces its way through the Cordillera range of the Andes. This road network served as the major means of transport, of communication and of government administration in the history of pre-colonialist America. The film covers three periods that deeply marked this region and its Indian tribes. Three phases, three eras for a road, and a history of violence and injustice that constantly repeats itself. Crystallizing the spirit of the conquests that took place in the Atacama Desert, a Peruvian prince once said in regard to the Indians: “We must spare our enemies or we will hurt ourselves, because they will soon be ours with all that is theirs”. In visualizing this statement, it is easy for us to imagine what hell the men of these lands endured during centuries of invasion and submission.
Director
4 of the world biggest astronomical observatories have been built in the Atacama desert (Chile). A new observatory, the ALMA, is going to be constructed close to an Indian village established in the same Cordillera for centuries. The film questions the co-existence on the same territory of two visions of the sky: scientists’ "rational" view and the Indians’ "magical" one.
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A deep story about the routine in Inca de Oro, a sunken town in the north of Chile, where Carmen Castillo goes deep into the immobile memory of men and women clinging to the loneliness of gold. The documentary shows the life of the pirquineros and their families.
Director
1980s. The Counter-Revolution from three media points of view: that of the United States, that of foreign countries and that of Nicaragua . Comparison of the "reality" of Nicaragua in a "state of war" and how it is portrayed by the American media, which is heavily influenced by the role of the United States in this conflict. Various documents illustrate this approach: NBC and ABC television reports on recent events; the American NB Archives on the history of Nicaragua; a film shot by the Sandinista army; and Super 8 reports shot by the two journalists in December 1985 and January 1986.
