Susanne and Christian get to know each other during a wonderful week in summer - and fall in love. This, however, leads to conflicts: up to now, Susanne has been living with Wolfgang, a biologist. This shared life was harmonious and based on mutual trust. Wolfgang is not only resolute and in full command of social situations; he has also always been the stabilizing force in the relationship. This is precisely why Susanne now feels drawn to the unsettled, unsteady and frivolous Christian, the complete opposite of the calm, well-balanced Wolfgang. And Christian, working as a shift boss on a natural gas derrick, has become more aware of his personal and social responsibilities as a result of loving Susanne.
The communist and resistance fighter Lorenz Reger, who after the war put all his efforts in the creation of a socialist German state, learns that he has only a short time left to live. Nevertheless, he wants to take on one last difficult new task: He wants to restructure a large firm which has run deep into the red numbers. In a short amount of time, Reger manages to establish mutual trust between the employees and the new management. Furthermore, he motivates the employees with his personal interest for their concerns.
A funny old comedy about ten year old Micha who decide that as a responsible brother he must prevent his older sister - seventeen year old Susi - from any romantic relations.
High-school senior Peter considers the adults around him to be hypocritical, self-congratulatory, and immersed in the past. He gets suspended for writing an essay that his teachers consider to be a challenge to the state. Just Don't Think I'll Cry became one of twelve films and film projects-almost an entire year's production-that were banned in 1965-1966 due to their alleged anti-socialist aspects. Although scenes and dialogs were altered and the end was reshot twice, officials condemned this title as "particularly harmful." In 1989, cinematographer Ost restored the original version, and this and most of the other banned films were finally screened in January 1990. Belatedly, they were acclaimed as masterpieces of critical realism.
