Ivan Marković

치열한 경쟁이 벌어지는 헤지 펀드 회사. 예상치 못한 승진으로 최근 약혼한 젊은 커플의 관계가 벼랑 끝으로 몰리고, 두 사람은 약혼뿐만 아니라 더 많은 것들이 와해될 위기에 봉착한다.

A boy who grows up with his step-parents in Greece and who, at the age of 20, unwittingly murders his father. While serving his sentence, he falls in love and has a child with a woman who works in the prison. They are both unaware of the fact that she is his biological mother. Twenty years later, he lives in London with his daughter and is beginning to lose his eyesight.

Marko spends time in the abandoned apartment of his childhood in Belgrade. Traces of the past are being drawn and memories, both idyllic and traumatic, are combined. The family VHS archive shows his universe during 1998 and 1999: gatherings, pets, videogames, and moments of uncertainty reveal a common life embraced by an historical event.

아우슈비츠에서 레지스탕스 운동을 이끈 지도자이며 유고슬라비아 최초의 여성 파르티잔 중 한 명이자 반파시스트 운동가인 97세 소냐의 기억을 따라간다. 이 영화는 소냐의 이야기가 시간을 넘어 오늘날의 반파시스트 운동가들에게까지 가닿도록 하며, 레지스탕스를 사유하고 실천에 옮기는 것이 항상 가능한 일임을 시사한다. (제22회 전주 영화제)

What does it mean to inhabit or occupy a landscape or a frame? To conjure up time? These are deceptively simple questions that the artist Isabell Heimerdinger gives us an opportunity to ponder in her film SOON IT WILL BE DARK. The context is a stretch of coast, a tropical place where, dotted in the background, a few old, dilapidated colonial buildings survive. A patch of countryside, half-village, half-forest, bordering the sea, and where our gaze falls on a man as the days go by, while he busies himself with his task – from one spot to another, conscientiously clearing the land around the buildings with a machete in the luxuriant undergrowth of a dense forest of majestic trees. Measured, considered, precise and respectful movements…

What does it mean to inhabit or occupy a landscape or a frame? To conjure up time? These are deceptively simple questions that the artist Isabell Heimerdinger gives us an opportunity to ponder in her film SOON IT WILL BE DARK. The context is a stretch of coast, a tropical place where, dotted in the background, a few old, dilapidated colonial buildings survive. A patch of countryside, half-village, half-forest, bordering the sea, and where our gaze falls on a man as the days go by, while he busies himself with his task – from one spot to another, conscientiously clearing the land around the buildings with a machete in the luxuriant undergrowth of a dense forest of majestic trees. Measured, considered, precise and respectful movements…

The first attempts to map the Mississippi Delta date back to the early 18th century. An uncontrollable, fragile and shifting environment in itself, it has since been constantly transformed by the exploitation of its resources. Navigating between times and spaces, the real and the speculative, Sweat gradually immerses us between the lines of the maps, in the fluctuating and insubordinate part of this territory, by following the living beings that inhabit it.

Sava Centar is a congress space built in 1978 in Belgrade, Yugoslavia, whose architecture reflects an idea of the future. Made to host thousands, it now stands almost abandoned. The maintenance workers shoulder the duty of restoring the space.

Sava Centar is a congress space built in 1978 in Belgrade, Yugoslavia, whose architecture reflects an idea of the future. Made to host thousands, it now stands almost abandoned. The maintenance workers shoulder the duty of restoring the space.

아스트리드의 열세살 난 아들이 일주일간 무단 가출 후 아무 설명도 없이 자연에서 집으로 돌아오며 시작되는 이야기다.

광활한 도시는 끝없이 성장하며 아직 미지의 영역으로 남아있다. 베이징에 사는 이주 노동자 리는 밤에 일하고 낮에 자는 반면, 그의 룸메이트의 생활 패턴은 정반대이다. 반지하에 사는 두 남자는 침대를 나눠 쓰지만, 한 번도 같은 시간에 누워 본 적은 없다.

After leaving the ship on which she works, Sanja finds herself stranded, with nowhere to go but home. The shipyard has filed for bankruptcy, leaving many workers out of work. A storm comes; one life is lost. Luka is waiting for the night in the woods. The night when everything could change.

It’s like almost all is lost. Yet still they are here – abandoned bungalows, an artificial lake, dirty plastic bottles, lost donkeys and stray dogs, draining pipes running over fields of salt, deserted factories, statues of revolutionaries, concrete playgrounds covered with weeds, rotten fruit, folded T-shirts, pop songs, decades of forgetting, a single room with a blue tent inside. And it felt like a kiss.

It is a hot summer in the Chinese south - Luo is HIV positive and lonely. Until he finds a companion at a family dinner, a distant cousin.

It is a hot summer in the Chinese south - Luo is HIV positive and lonely. Until he finds a companion at a family dinner, a distant cousin.

Andrej lives in a small industrial coastal town. The only escape from his bleak everyday reality is his affection for his friend Ana, which he is unable to express. His situation suddenly changes as various events lead him to a misfortune final encounter with her. The movie is set in the nineties, and through Andrejs story, it pays homage to a lost generation of children and youth growing up during the violent breakup of Yugoslavia.