Women and men in the middle of the night, without their own clothes, without personal papers and money, without their car keys and mobile phones. In a deserted city the only solution would be, regardless of how far home is, to walk alone all the way there.
Writer
An Arab father and his teenage Romanian daughter are spending time for the first time together, trying to create a relationship and reconcile their cultural differences.
Daniela Niculae
An Arab father and his teenage Romanian daughter are spending time for the first time together, trying to create a relationship and reconcile their cultural differences.
Casting Director
넓은 땅의 소유자 '니콜라이'는 넓은 저택 안에 머물 곳을 마련해 자신의 친구들을 모아두고 시골 땅을 처분하기로 한다.
넓은 땅의 소유자 '니콜라이'는 넓은 저택 안에 머물 곳을 마련해 자신의 친구들을 모아두고 시골 땅을 처분하기로 한다.
Simona
중년의사 라리는 40일 전에 고인이 된 아버지를 추모하는 가족행사에 참여한다. 추도식을 주도할 사제는 오질 않고 가족들은 그동안 쌓인 서로에 대한 불만을 쏟아낸다. 마치 동유럽의 축소판같은 좁은 아파트를 세밀한 카메라로 해부하는 크리스티 푸유의 시선이 돋보인다.
Casting
In Bucharest on a winter’s morning, a couple make love. Adina wants to move in with her boyfriend Radu as soon as possible. He, on the other hand, is slightly more reluctant but appears to simply tolerate her plans. Today is New Year’s Eve and Radu and Adina have a lot to do: the two have planned a visit to Adina’s parents followed by a party with friends. While buying last-minute gifts at the supermarket, Radu thinks he spots ex-girlfriend Nadja, who he has never forgotten. In one small moment, Radu’s insecurities about Adina come bubbling to the surface. No sooner have the corks begin to pop, the relationship comes to an abrupt end. This is followed by the perfectly timed offer from Radu’s friend Alex to hit the town with him and his friends. Radu accepts the offer in the hope that Nadja is also out. Director Paul Negogescu draws a portrait of Radu with precision and subtle irony – and captures the atmosphere of a New Year’s evening with great authenticity.
Mona
In Bucharest on a winter’s morning, a couple make love. Adina wants to move in with her boyfriend Radu as soon as possible. He, on the other hand, is slightly more reluctant but appears to simply tolerate her plans. Today is New Year’s Eve and Radu and Adina have a lot to do: the two have planned a visit to Adina’s parents followed by a party with friends. While buying last-minute gifts at the supermarket, Radu thinks he spots ex-girlfriend Nadja, who he has never forgotten. In one small moment, Radu’s insecurities about Adina come bubbling to the surface. No sooner have the corks begin to pop, the relationship comes to an abrupt end. This is followed by the perfectly timed offer from Radu’s friend Alex to hit the town with him and his friends. Radu accepts the offer in the hope that Nadja is also out. Director Paul Negogescu draws a portrait of Radu with precision and subtle irony – and captures the atmosphere of a New Year’s evening with great authenticity.
Casting
An apartment kitchen: a man and a woman discuss Little Red Riding Hood, their voices hushed, mindful of waking the little girl sleeping next room. Waste land on the city outskirts: behind a line of abandoned trailers, the man silently watches what seems to be a family. The same city, the same man: driving through traffic with two hand-made firing pins for a hunting rifle. The man is 42 years old, his name - Viorel. Troubled by obscure thoughts, he drives across the city to a destination known only to him.
Ana
A story which might take place in anybody's life. The death of a person starts a chain reaction which involves the neighbours. A satire of the world we live in based on a true story.
