Thinh Trinh

사고로 죽은 아버지의 뒤를 이어 씨클로를 운전하는 18세의 소년. 사람들 사이에 그는 그저 씨클로 보이로 통한다. 자전거 바퀴를 수리하는 할아버지, 구두를 닦는 여동생, 집안 살림을 도맡아 하는 누나. 이들 세 사람과 함께 도시 빈민구역에 사는 소년은 고달픈 삶 가운데서도 호치민 시를 누비며 꿈을 키워간다. 그러나 소년은 유일한 생계수단인 씨클로를 건달패에게 빼앗긴다. 빌린 씨클로의 대여료 조차 갚을 수 없는 그에게 씨클로 주인은 대여료를 갚는 대신 자신의 수하에 있는 갱 조직에서 일할 것을 요구한다. 처음엔 마지못해 이들에게 협조하던 소년은 차츰 약간의 눈속임만으로도 손쉽게 돈을 버는 범죄 세계에 빠져들어 간다. 마침내 시인(Poet: 양조위 분)이 속해있는 갱 조직에 본격적으로 가담하면서 소년은 빠른 속도로 범죄의 소용돌이에 휘말린다. 가난과 절망이라는 갑갑한 현실에서 벗어나기 위해 범죄의 길을 택한 인물 시인은 소년의 누나를 사랑하지만 한편으로는 그녀에게 매춘을 알선하고 있다. 그러나 소년의 누나는 시인에 대한 순수한 사랑 때문에 그가 알선하는 매춘을 거부하지 않는다. 오히려 그녀는 현실 속에서 괴로워하는 시인을 따뜻한 시선으로 감싸준다. 한편 겉잡을 수 없이 자신을 끌어당기는 범죄 세계의 힘을 피부로 느낀 소년은 죽은 아버지의 비참한 모습을 꿈에서 본 후 갱 조직에서 빠져 나오기 위해 발버둥친다. 소년의 이런 모습을 보며 괴로워하던 시인은 자신이 알선한 매춘으로 소년의 누나가 순결을 잃자 급기야는 화염 속에 몸을 내던진다. 두 사람의 사랑은 예정된 파국으로 치닫고 소년은 마지막 마약 운반을 위해 클로의 핸들을 잡는다.

Set in a small village in North Vietnam, a tale of awakening which traces a growing love triangle between Nham, an earnest and responsible 17-year-old country boy; the charming Ngu, his lonely and naive sister-in-law with whom he works closely in the fields; and Quyen, a stylishly vivacious expatriate who has just returned from the city, curious about life in the village where she spent her childhood. While all three characters are too reticent to unleash their feelings, the romance turns on the realization that this web of emotions is largely symbolic. Nham represents for Quyen an innocence and a past that she can’t recapture, just as she represents for Nham an urbanity and future prospects that he may never attain; and caught between the two is the delicate Ngu, left in the most desolate postion of positions.

The sexually repressed widow Doan comes to play tennis in the court where sly, lewd orphan Xuan (nicknamed Red-haired Xuan for his sunburnt hair) is working as a ball boy. Their encounter that day would change Xuan's life forever, as the widow introduced him to an entirely different world of the hypocritical and decadent petite bourgeoisie class, a condition of "Westernized" middle-class Hanoians under French colonial rule in the 1920s. An 8-part series adapted from Vu Trong Phung's classic satire.

Returning to Vietnam after many years of studying abroad, a doctorate in atomic force Thai Duong entered an unimaginable reality. Many funny situations took place in his family when he was pondering over choosing a job in a new environment. Thai Duong was tricked into losing money, and his father and brother Loc Ton performed a risky mission to earn money: buying liquidated bombs.

The trio of adventurous pals, a man who is a scientist, a fine lady and a former military pilot are in the Tibetian jungles looking for some mysterious vase that holds a metal container that is of no mundane origin.

A boy, abandoned by his family, finds himself struggle to continue his study at school and make a living without stepping in the crime-ridden path of his brother. One of the most acclaimed Vietnamese children films that reflects Đổi Mới era in how market forces and money shapes the social economic conditions and the lives of people.

A government minister from Hanoi has a car accident on the way to a wedding in a remote village. The county hospital does not have the authority to operate on a minister. The county commissioner would like the operation done in the county for the prestige it would bring, but will not authorize it without the approval of the whole county committee. The hospital director has filled his quota, so does not want to take the risk of an operation. Since a telephone call to Hanoi has to be booked two days in advance, the minister's wife cannot be contacted, nor can a helicopter be arranged to move the minister to Hanoi.

The sacrifice of a mother to protect the soldiers of Liberation Army of South Vietnam during the war against US imperialism

Feature film on romance and social life of the minority ethnic in the Northwest of Vietnam. Mị and A Phủ, a Meo (Hmong) couple, freed themselves with the aid of communist leadership and joined the rising against the French in August 1945. Based on the short story of the same title by Tô Hoài.

On The Same River is the 1959 film of two directors Nguyen Hong Nghi and Pham Hieu Dan (ie Pham Ky Nam ) produced by the Vietnam Film Company . This is the first feature film of North Vietnam after 1954 and also the first feature film of Vietnam Revolution Cinema