Chiara Russo

The young girl, an insomniac. The mother, an artist. The dog, named Marcel. The little girl loves her mother immensely, but her mother loves Marcel more than anything else. Will an unpredictable event allow those circles of love to reconnect?

Pietro and Alvise come from a long line of fishing families from Giudecca, Venice's most 'working-class' island. But they don't see eye to eye on the seemingly unstoppable transformation of the lives of the Venetians and the city's very identity. Indeed, the far-reaching impact of global tourism has changed the relationship between Venice and its residents, and the pandemic has only thrown this critical situation into relief. Pietro would just like to keep fishing the typical crabs found in the Lagoon, lonely as that lifestyle is, while Alvise believes their home on the Giudecca itself is the ticket to joining the elite managing the city's real estate assets, hence running Venice. This clash of views will involve the entire family, in an ensemble film about how our world is changing.

2020년 2월과 4월 사이의 락다운 기간 동안 감독은 베니스에 갇혔다. 베니스는 그의 아버지의 고향이자 부분적으로는 그의 고향이기도 했다. 그는 바이러스가 도시를 얼어붙게 만들고 텅 비게 하면서 도시의 본질과 역사를 다시 가져다주는 것을, 그리고 그에게 도시가 새로운 의미로 다가오는 것을 목격한다. 그는 시각적 메모와 이야기를 수집하고, 가족 집에서 시간을 보냈다. 그곳에서 그의 상상보다 더 깊이 그를 끌어들이는 어린 시절의 추억을 탐구할 기회를 얻게 된다.

Naples, Trajan's district. Initially it was intended for the inhabitants of the shantytowns on the seafront of Naples, who were homeless after the war. But it soon became a kind of ghetto. Alessandro and Pietro are two teenagers who film with an iPhone to tell their difficult neighborhood, their daily life, the friendship that binds them.

The film describes how Albanian graves were opened by Greeks and the contents moved and re-identified as being the bones of Greek soldiers from World War II.