Tamara Denisova

고아인 두 어린이가 잃어버린 아빠를 찾아 모스크바로 험난한 여행을 떠난다. 여행 도중 아이들과 만난 어른들은 때론 따뜻하게 때론 매정하게 아이들을 대하고, 고아원으로 돌아가고 싶지 않은 아이들은 행동 하나하나가 조심스럽다. 2009년 모스크바영화제 여우주연상 수상(레나 코스티우크).

One day, Grigori appears at the hospital in a state of excitement and informs her that his mother has died. Margarita, who also knew this friendly old lady, is saddened at the news. On the other hand, the announcement makes her hopeful that things might just work out for her and Grigori after all.

Sisin, a forty-year-old writer, gets on the train and goes out of town. In the car, he is surrounded by strange passengers, some of whom resemble famous Russian writers: Chekhov, Tolstoy, Dostoevsky, Kuprin... Surreal visions, hidden desires, fears, and anxieties arise in Sisin's imagination. Love, career, and life itself seem stupid and meaningless to him.

A Finn preparing a work on the Russian hunting traditions and customs, comes to Russia to collect materials and is invited to take part in a hunting party. His flamboyant companions include an Army general, with more than a passing resemblance to Aleksander Lebed, a police detective, local forest ranger (a devotee of Zen Buddhism) and some big-city types from St. Petersburg. Inevitably, their good intentions soon give way to endless drinking, visits to local farm girls and much else besides.

The main character is an intellectual from Russia, who sees it as his duty to bring an idiot from an mental institution to his house. He can pick someone out, after bribing the boss of the institution, with two bottles of vodka. He chooses Vova, at first sight a silly man, and takes him home. His wife is at first not very happy with this choice. Vova says and does nothing at all. Then he becomes an aggressive man, who terrorises the house and bashes everything to pieces. After she is raped by Vova, the wife gets sexually dependant on the Idiot. Vova isn't interested anymore, when she gets pregnant and doesn't keep the baby. The idiot goes now to the intellectual for his sexual needs. The wife can't take this anymore and forces her man to take a choice: Vova out, or she will go.

Srubov is a part of CHEKA, the secret police Lenin established after the Bolshevik Revolution. They arrest, interview for a minute, try in ten seconds, and execute intellectuals, aristocrats, Jews, clergy, and their families. In the building basement, five people at a time are shot as they stand naked facing wooden doors. No one to remember their last words; no martyrs, just anonymous bodies. Daily, the kangaroo court, the executions, the loading of bodies onto wagons. Srubov is cold, distant, sexually dysfunctional, and a deep thinker, hated by former friends and his family. As he tries to reason the nature of revolution and the purpose of CHEKA, he slowly goes mad.

Young soldiers of the Soviet Internal Troops are brutally bullied during their time of Dedovshchina(hazing). The plot unfolds mostly on board of a prisoner transport rail car guarded by a unit of paramilitary conscripts.

A satiric comedy which dissects the iconography of the 'Soviet Hero'. Original footage of a propaganda film from 1941 is the starting point for this parody of the ideological cliches of Soviet cinema. It follows the story of a Russian crew across the North Pole.

At the beginning of "perestroyka", city authorities are getting ready for another event in keeping with the spirit of stagnant times. A director with a rather "unyielding" character is assigned to make a film about the birth of the one millionth inhabitant. However, when he finds the heroine of his story, there is no much "positive" to show as this family hardly suits for advertising happy life...

With a brother dedicated to punk rock stardom at any cost and a drunken father who chases skirt between robotic dancing lessons from the TV, young Senka stands as much chance of nurture as the hero of Truffaut's 400 Blows. The amazing thing about Ogorodnikov's film is that it was made in Russia. Clearly, plenty of Soviet teenies share the nihilistic feelings of their Western counterparts, and the extensive footage of safety-pin chic at concerts perhaps points to a sound export instinct on the director's part. Senka's brother Kostya is under pressure from Howmuch, a very heavy rocker, to steal a synthesiser from the Community Centre, so to protect him Senka steals it himself. The story occupies little more space than the music, but the performances are splendid enough to lodge Senka's predicament in the heart.

Communist Anna Dronova, a participant in the civil war, returns to her native village. Having become the chairman of the village council, Anna rallies the poor around her and fiercely fights with the kulaks for a new life. Meanwhile, a gang of Pantelei Lychkov successfully operates in the vicinity. By killing his own brother Yakov, who took Anna's side, he makes it clear to everyone and especially Anna that nothing wouldn't stop him.