Tamara Denisova

Two young orphan siblings travel to Moscow in search of their missing father. Scared of being separated and sent to orphanages, they hope to reunite with the last link of their shattered family.

One day, Grigori appears at the hospital in a state of excitement and informs her that his mother has died. Margarita, who also knew this friendly old lady, is saddened at the news. On the other hand, the announcement makes her hopeful that things might just work out for her and Grigori after all.

Sisin, a forty-year-old writer, gets on the train and goes out of town. In the car, he is surrounded by strange passengers, some of whom resemble famous Russian writers: Chekhov, Tolstoy, Dostoevsky, Kuprin... Surreal visions, hidden desires, fears, and anxieties arise in Sisin's imagination. Love, career, and life itself seem stupid and meaningless to him.

A Finn preparing a work on the Russian hunting traditions and customs, comes to Russia to collect materials and is invited to take part in a hunting party. His flamboyant companions include an Army general, with more than a passing resemblance to Aleksander Lebed, a police detective, local forest ranger (a devotee of Zen Buddhism) and some big-city types from St. Petersburg. Inevitably, their good intentions soon give way to endless drinking, visits to local farm girls and much else besides.

The main character is an intellectual from Russia, who sees it as his duty to bring an idiot from an mental institution to his house. He can pick someone out, after bribing the boss of the institution, with two bottles of vodka. He chooses Vova, at first sight a silly man, and takes him home. His wife is at first not very happy with this choice. Vova says and does nothing at all. Then he becomes an aggressive man, who terrorises the house and bashes everything to pieces. After she is raped by Vova, the wife gets sexually dependant on the Idiot. Vova isn't interested anymore, when she gets pregnant and doesn't keep the baby. The idiot goes now to the intellectual for his sexual needs. The wife can't take this anymore and forces her man to take a choice: Vova out, or she will go.

Srubov é agente da CHEKA, a polícia secreta de Lenin montada após a Revolução Bolchevique. Eles prendem, interrogam por um minuto, decidem em dez segundos, e executam. Executam intelectuais, aristocratas, padres, judeus e suas famílias. No porão do edifício, cinco pessoas são executadas ao mesmo tempo enquanto estão nuas de frente para portas de madeira. Ninguém se lembra de pedir suas últimas palavras; não há mártires, apenas corpos anônimos. Diariamente temos o julgamento rápido, as execuções, o carregamento de corpos para os vagões. Srubov é frio, distante, sexualmente disfuncional, e um pensador profundo, odiado por ex-amigos e por sua família. Enquanto ele tenta argumentar a natureza da revolução e da finalidade da CHEKA, ele lentamente vai enlouquecendo.

Young soldiers of the Soviet Internal Troops are brutally bullied during their time of Dedovshchina(hazing). The plot unfolds mostly on board of a prisoner transport rail car guarded by a unit of paramilitary conscripts.

A satiric comedy which dissects the iconography of the 'Soviet Hero'. Original footage of a propaganda film from 1941 is the starting point for this parody of the ideological cliches of Soviet cinema. It follows the story of a Russian crew across the North Pole.

At the beginning of "perestroyka", city authorities are getting ready for another event in keeping with the spirit of stagnant times. A director with a rather "unyielding" character is assigned to make a film about the birth of the one millionth inhabitant. However, when he finds the heroine of his story, there is no much "positive" to show as this family hardly suits for advertising happy life...

With a brother dedicated to punk rock stardom at any cost and a drunken father who chases skirt between robotic dancing lessons from the TV, young Senka stands as much chance of nurture as the hero of Truffaut's 400 Blows. The amazing thing about Ogorodnikov's film is that it was made in Russia. Clearly, plenty of Soviet teenies share the nihilistic feelings of their Western counterparts, and the extensive footage of safety-pin chic at concerts perhaps points to a sound export instinct on the director's part. Senka's brother Kostya is under pressure from Howmuch, a very heavy rocker, to steal a synthesiser from the Community Centre, so to protect him Senka steals it himself. The story occupies little more space than the music, but the performances are splendid enough to lodge Senka's predicament in the heart.

Communist Anna Dronova, a participant in the civil war, returns to her native village. Having become the chairman of the village council, Anna rallies the poor around her and fiercely fights with the kulaks for a new life. Meanwhile, a gang of Pantelei Lychkov successfully operates in the vicinity. By killing his own brother Yakov, who took Anna's side, he makes it clear to everyone and especially Anna that nothing wouldn't stop him.