Dialogue
Céline is a free-spirited woman is married to a dull, middle manager Philippe. Her husband's co-worker pegged her as a household ornament because of the union. She befriends a woman who shows her how to juggle the couple's living expenses to get what she wants. As she asserts her independence and gradually frees herself from her husband's claustrophobic world, she turns to painting and writing about the inequity between genders.
Adaptation
Céline is a free-spirited woman is married to a dull, middle manager Philippe. Her husband's co-worker pegged her as a household ornament because of the union. She befriends a woman who shows her how to juggle the couple's living expenses to get what she wants. As she asserts her independence and gradually frees herself from her husband's claustrophobic world, she turns to painting and writing about the inequity between genders.
Novel
Céline is a free-spirited woman is married to a dull, middle manager Philippe. Her husband's co-worker pegged her as a household ornament because of the union. She befriends a woman who shows her how to juggle the couple's living expenses to get what she wants. As she asserts her independence and gradually frees herself from her husband's claustrophobic world, she turns to painting and writing about the inequity between genders.
Novel
Lorenzo is a handsome, intelligent, charming, elegant and liberal man. All he asks for is total devotion. And Margarita, foolishly, falls in love with him…
Report on the young people of the yéyé period and pop music. Jerk at the Palladium, Beatles, press clippings, questions about the impact of fashion (long hair and accoutrements) and modernity, youth, change, freedom.
Writer
The film in its first part intends to show the alienation of modern man by advertising, then talks to us about the image of women in advertising, society, entertainment, fashion, dreams, fantasies. Its last part is composed of saucy fake scopitones .
Novel
A young girl rescues a man from a suicide attempt. He turns out to be a sociopath, who begins to take over her life, abusing her both verbally and emotionally, yet she can't seem to tear herself away from him.
Complice n°1
In 1962, François Truffaut visited the Mar del Plata Film Festival to present his competition in the brand-new Jules and Jim. At that stage of the Festival, from 1954 to 1970, names that today sound mythical were common figures among the guests. Truffaut, along with his colleagues from the Cahiers du Cinéma, would take French films by storm with Les 400 Coups (1959) and the Nouvelle Vague would become a key movement in the history of cinema. A few years after his debut and accompanied by the success of Jules and Jim, Truffaut was already well on his way to becoming a legend. In his visit to the Festival, in 16 mm titled Los 4 Golpes (this, in Castilian), even exhibiting in that look a playful look on his work. This short film, for different reasons, was rarely shown and remains a rarity in the director's film.
Screenplay
22살 아가씨 도미니크는 애인 질베르를 살해한 혐의로 재판을 받는다. 그녀가 어떤 이유로 전도유망한 지휘자를 죽였느냐에 대한 의견이 분분한 가운데, 검사는 도미니크가 명백히 계획적으로 살인을 저질렀으므로 사형을 언도해야 한다고 주장한다. 재판이 이어지면서 도미니크와 질베르 그리고 도미니크의 언니이자 질베르의 연인이었던 애니, 세 사람을 둘러싼 진실들이 모습을 드러낸다. 클루조의 치밀한 연출 아래 사랑의 지독한 진실을 파헤치는 법정 드라마. 브리짓 바르도의 열연이 돋보이며, 검사와 변호사 역을 맡은 폴 뫼리스와 샤를 바넬의 대결도 불꽃이 튄다. (영화의 전당 - 오래된 극장 2016)
