Álvaro Silva Wuth

Why are we still able, today, to view images that were captured over 125 years ago? As we enter the digital age, audiovisual heritage seems to be a sure and obvious fact. However, much of cinema and our filmed history has been lost forever. Archivists, technicians and filmmakers from different parts of the world explain what audiovisual preservation is and why it is necessary. The documentary is a tribute to all these professionals and their important work.

독재정권을 피해 46년 간 해외에서 체류해온 칠레의 살아있는 거장 파트리시오 구즈만이 고국으로 돌아와 만든 다큐멘터리. 꿈의 안데스는 지하철 역사에 붙은 거대한 안데스 산맥 그림으로 시작하여 칠레 역사의 현장인 산티아고의 거리에서 끝난다. 구즈만에게 고향은 먼 곳에서 꾸는 꿈같은 것이라면, 안데스 산맥은 그 꿈이 물질화된 형태로 구현된 곳이다. 그는 가수, 화가, 조각가, 소설가를 만나서 칠레인들의 상상력과 꿈의 원천인 안데스 산맥이 어떻게 예술에 반영되었는지를 말하고, 자신의 유년기 기억 속의 공간으로 여행한다.

In Spanish, ladrillo means bricks. It used to mean boom, construction, production, speculation. Today, ladrillo means crisis: disused clay pits, factories that are closed half of the year, ghost-towns, subprime mortgagers facing eviction. Bricks shows how the life of a simple commodity can be the mirror of a global crisis, and tells the story of people who come up with individual and collective strategies to overcome a seemingly desperate situation.

대양과 고산, 해안선과 평원은 인류의 역사를 빼곡하게 담고 있다. 파타고니아의 토착민들, 최초의 영국 선원들, 정치범들 등 근대 칠레의 역사를 지나온 이들의 기억이 신비로운 자개 단추를 매개로 연결된다. 의 거장 파트리시오 구스만의 신작 다큐

비틀즈 노래로 수업을 하는 영어 문법 선생님은 존 레논이 영화 촬영 때문에 알메리아에 온다는 소식을 접한다. 그를 반드시 만나야겠다고 결심한 선생님은 차를 몰아 떠난다. 그러다 선생님은 도중에 가출한16살 소년, 무언가로부터 도망쳐 나온21살의 여자아이를 차에 태워주게 된다.

In Chile, during the 60´s, the son of a poor single teenage girl turns out to be a gifted painter. The man to discover his talent is the owner of the drugstore that lies in the outskirts of the small rural town, next to the railroad. He himself is an amateur painter who will try to make the boy into a great artist, like all the ones in his art books. From the pharmacists point of view in his old age, unfolds the story of this young boy who could have become a great art genius, had he not disappeared at the age of 13, along with all his works, on September 11th 1973, the day of the coupe d´état.

Finished the Spanish Civil War in April 1939, in November 1940, while Spain is being crushed by the ruthless boot of dictator Franco, Pepita travels from rural Huelva to Madrid to be near her sister Hortensia, who is seven months pregnant and imprisoned, haunted by the shadow of a death sentence.

A story of destinies joined by Guatemala's past, and how a documentary film intertwined with a nation's turbulent history emerges as an active player in the present.

Private detectives Inés, Eva, and Carmen often invade others' privacy but are clueless about confronting their own secrets. While on the job, these three surveillance specialists will have to cross the thin line dividing public and private matters, bringing their own issues to light in order to solve more than just their professional cases.

Two strangers flee from their past and settle in an urbanization on the Cádiz coast. There, hundreds of kilometers from Madrid, they try to rebuild their lives, even though the memories are still very strong.

A leftist revolutionary or a reformist democrat? A committed Marxist or a constitutionalist politician? An ethical and moral man or, as Richard Nixon called him, a "son of a bitch"? In SALVADOR ALLENDE, acclaimed Chilean filmmaker Patricio Guzmán (The Battle of Chile and Chile, Obstinate Memory) returns to his native country thirty years after the 1973 military coup that overthrew Chile's Popular Unity government to examine the life of its leader, Salvador Allende, both as a politician and a man.

In the southernmost place in the world live the Yámanas, who survived and developed in one of the most inhospitable climates in the world. Today on the brink of extinction, its oldest survivors Úrsula and Cristina Calderón, invite us on a journey through its history, its myths, its language and its landscape. They are the last Footprint.

At 30 Amelia thinks that time is only an excuse for putting off the arrival of a fate which she has been warned about by fortune tellers and horoscopes.

A passionate fan of Daniel Defoe’s Robinson Crusoe as a 13-year-old boy, Guzmán was delighted to find in his adult years that the story is based on actual events & a real place in the middle of the Pacific Ocean, 700 kilometres from the Chilean coast. This moves him to film & construct a kind of ironic travel journal as he sets out to rediscover the island, all the while in constant play with the fields of history, literature & imagination.

After decades of fascist rule in Chile, Patricio Guzmán returns to his country to screen his documentary The Battle of Chile.

A lonely film projectionist through a series of odd events, discovers that he is the reincarnation of one of the inventors of cinema, and that a woman he sees in his dreams is his eternal companion on a trip through centuries.