Eiko Kujo
출생 : 1935-10-22, Tokyo, Tokyo Prefecture, Japan
사망 : 2014-04-30
약력
Kujyo Kyoko (October 22, 1935 - April 30, 2014) was a Japanese actress, theater, film producer from Azabu, Tokyo. The stage name of the actress was Eiko Kujo (Kujo Eiko). Real name is Eiko Terayama (Torayama Eiko). Husband Shuji Terayama.
After graduating from Mihoda Gakuen Junior High School · High School, she debuted on the stage of Shochiku Opera Group under the name of Eiko Kujo. After that, she moved to Shochiku movie and appeared in Yoshitaro Nomura's film "Yellow cherries" (1960) etc etc.
In 1967 Shuji Terayama, Tadanori Yokoo and others founded "Drama Laboratory / Ceiling Arts", and Kujo is responsible for the production. Also made a movie.
In 1970 she got divorced from Terayama (except Terayama's surname). After Terayama died in 1983, she was in charge of the copyright management of the Terayama work and gave lectures all over the country. In recent years I gave a lecture at Hirosaki Gakuin University in 2009.
She served as Representative Director of Terayama World Limited Company.
Misawa City Shuji Terayama memorial hall honorary director. Misawa City Tourism Ambassador.
On April 30, 2014, she died at his house in Tokyo due to rupture of esophageal varices due to cirrhosis of the liver. 78 year old died.
From Wikipedia, the free encyclopedia
Producer
A surreal, isolated village sees its inhabitants gradually leave behind their mutual traditions and superstitions as they leave for the city. Among them are two cousins who love each other and who get into a quarrel with other villagers.
Producer
Pauline Reage의 소설 「O양 이야기」의 속편을 원작으로 한 이 영화는 1920년대 중국을 배경으로 “O”라는 여인과 스티븐 경과의 도착적인 사랑을 그렸다. 상하이에서 카지노를 소유하고 있는 스티븐 경은 반체제 운동가들을 위해 자금을 지원하기도 한다. 하지만 가학적인 사랑을 즐기는 그는, 자기와 사랑에 빠진 그의 애인의 자신에 대한 사랑을 증명하기 위한 일종의 게임으로 “O”를 사창가로 보낸다.
영화제 소개글. 영화는 한 명의 소녀가 “O”라는 창부가 되는 곳에서 시작한다. 무대는 1928년 홍콩, 한 소녀가 스테판 유에게 이끌려 창관인 “춘모루”로 간다. 그녀는 두 사람의 사랑을 확인하기 위해 창부가 되는 것이다. 여주인은 소녀를 발가벗기고 화장을 시킨 후 말한다. “너의 몸은 이미 손님의 것, 마음대로 씻거나, 더럽혀서는 안 된다”. 그리고 소녀는 점점 “O”가 되어 가고 영화는 처음부터 하드 코어가 아니라 점점 하드 코어로 되어 간다. 이 영화는 폴린 레아주 “O의 이야기”를 원작으로 하고 있다. 테라야마 감독의 작품 중 이 파리에서 개봉 된 후 호평을 받고, 알랑 레네 감독의 , 오시마 나기사 감독의 을 제작했던 프로듀서 아나톨 도망이 그에게 이 영화를 제의했다. 프로듀서로부터의 제안은 하드코어 영화로서 크게 히트시키고 싶다는 것이었다. 이에 테라야마는 설정을 1920년대 중국으로 하여 원작에서 주요 등장 인물의 이름만 남기고, 스테판 유 역은 친구인 클라우스 킨스키를 기용하여 찍게 된다.(윤용순)
Producer
Visions of characters by the seaside from one's memory are erased by the filmmaker's hand.
Producer
As a family goes on with their day, the shadows on their walls lead a completely different life.
Producer
In this Borgesian satire on knowledge and technology, bibliophilic desire leads to the construction of a pedal-powered reading machine. Resembling a combination of gymnastic contraption, printing press and early cinematic apparatus, the machine’s purpose remains ambiguous. And like this machine, Terayama’s film connects his work in poetry, motion picture and graphic design by weaving together printed and projected, still and moving images.
Producer
Using bluescreen video techniques, Terayama playfully—and with a silent film theatricality—posits a series of postmodern vignettes featuring realities-within-realities as his protagonist attempts some kind of relationship with a nude woman on the screen-within-the-screen. In his struggles to “free” her, he exposes the absurd flimsiness, deceptiveness and mutability of both the cinema experience and our human dimension.
Producer
An experimental short featuring people and nails.
Producer
The smallpox virus has created its own unique atmosphere in Terayama’s film where the skin of a bandaged adolescent and the surface of the filmic image are subjected to a bizarre ‘disturbance’ as snails cross the screen and nails are hammered into the skull of the ailing patient. Illness in this film is as much a psychic entity as a physical one and manifests itself in an array of theatrical tableaux from grotesque women rigorously brushing their teeth to a snooker game where the players in white face makeup behave like automata. A Tale of Smallpox uses a medical theme to chart the traumatic dream life of Terayama’s times, evincing deep-rooted concerns in the Japanese national psyche that hark back to the upheaval of Meiji modernisation and the devastation of World War Two.
Producer
낯선 카니발풍의 마을을 배경으로 한 어린 소년들의 성년 이야기는 감독이 20년 후에 가지고 있는 추억의 재창조가 된다.
Producer
마사루는 날아다니는 몽상에 잠기는 것이 취미다. 그를 제외한 그의 다른 가족 구성원들은 사회적으로나 경제적으로 자신이 처한 운명에 순종하며 살아간다. 반면 새로움을 꿈꾸는 마사루는 자신이 처한 상황에서 벗어나기 위해 안간힘을 쓴다. 하지만 대신 그가 얻는 것은 자신의 삶과 세계에 대한 크나큰 환멸뿐이다.
Producer
Finished shooting in 1962, the movie’s cast was almost the same as its crew. With a bunch of experimental symbols such as skinny human body, clock and goat flow from one scene to another, the film explores the question of whether a man is a prisoner of time.
Finished shooting in 1962, the movie’s cast was almost the same as its crew. With a bunch of experimental symbols such as skinny human body, clock and goat flow from one scene to another, the film explores the question of whether a man is a prisoner of time.
Hitomi Akutsu
Japanese comedy film.
Miyoko Edamura
A reckless student contemplates terrorism in a prescient film that confirmed Shinoda as a fearless member of Shochiku’s iconoclastic New Wave. At the height of student protests, Shimojo (Shinichiro Mikami) takes his aggressions to another level, beset by seemingly insoluble feelings of alienation.
The story tells of Tsuchiya, a university professor and a widower who is in love with a widow who runs a small restaurant, and his son is in love with a runaway girl who turns out to be the leader of a religious sect. Kusano is the henpecked proprietor of a rice biscuit shop who dreams of owning a bird and dog shop and his daughter is in love with a boarder, employed by the private detective agency searching for the runaway girl. The agency head has his own dream of arranging thirty marriages and has already accomplished twenty-seven. Tatsumi is a newspaper reporter who dreams of a big scoop to enable him to marry a girl TV producer and his friend a mountain climbing enthusiast who dreams of joining a Himalayan expedition but is opposed by his wife. His love of the mountains is shared by a boarder in their home and by a fishmonger's son.
Comedy about the trials and tribulations of youth.
A boy, who is separated from his mother in an air raid, endures suffering and grief alongside his kind uncle.
오시마 나기사가 마츠타케 입사 후 감독으로서 처음 시작한 마츠타케 신인 스타 소개용 쇼트 필름.
The common-law wife and daughter of a wealthy old man plot to murder him and steal his fortune, with the help of their male acquaintances.
