検索

Eiko Kujo

Eiko Kujo

出生 : 1935-10-22, Tokyo, Tokyo Prefecture, Japan

死亡 : 2014-04-30

略歴

Kujyo Kyoko (October 22, 1935 - April 30, 2014) was a Japanese actress, theater, film producer from Azabu, Tokyo. The stage name of the actress was Eiko Kujo (Kujo Eiko). Real name is Eiko Terayama (Torayama Eiko). Husband Shuji Terayama. After graduating from Mihoda Gakuen Junior High School · High School, she debuted on the stage of Shochiku Opera Group under the name of Eiko Kujo. After that, she moved to Shochiku movie and appeared in Yoshitaro Nomura's film "Yellow cherries" (1960) etc etc. In 1967 Shuji Terayama, Tadanori Yokoo and others founded "Drama Laboratory / Ceiling Arts", and Kujo is responsible for the production. Also made a movie. In 1970 she got divorced from Terayama (except Terayama's surname). After Terayama died in 1983, she was in charge of the copyright management of the Terayama work and gave lectures all over the country. In recent years I gave a lecture at Hirosaki Gakuin University in 2009. She served as Representative Director of Terayama World Limited Company. Misawa City Shuji Terayama memorial hall honorary director. Misawa City Tourism Ambassador. On April 30, 2014, she died at his house in Tokyo due to rupture of esophageal varices due to cirrhosis of the liver. 78 year old died. From Wikipedia, the free encyclopedia

プロフィール写真

Eiko Kujo

Eiko Kujo

参加作品

さらば箱舟

Producer

古い因襲にとらわれた小村で、いとこ同志でありながら風習を破って一緒になった捨吉とスエ。だが二人が暮らす村も、近代化の波に飲まれて変わりつつあった。

Fruits of Passion

Fruits of Passion

Producer

A girl named O loves a rich, and much older man. She is subjected to a variety of humiliating experiences to prove her unconditional obedience to him in a chinese brothel. A poor boy sees her and falls in love with her. To get the money needed to sleep with her, he takes part in rebellious acts.

Producer

Visions of characters by the seaside from one's memory are erased by the filmmaker's hand.

二頭女影の映画

Producer

As a family goes on with their day, the shadows on their walls lead a completely different life.

Producer

In this Borgesian satire on knowledge and technology, bibliophilic desire leads to the construction of a pedal-powered reading machine. Resembling a combination of gymnastic contraption, printing press and early cinematic apparatus, the machine’s purpose remains ambiguous. And like this machine, Terayama’s film connects his work in poetry, motion picture and graphic design by weaving together printed and projected, still and moving images.

一寸法師を記述する試み

Producer

Using bluescreen video techniques, Terayama playfully—and with a silent film theatricality—posits a series of postmodern vignettes featuring realities-within-realities as his protagonist attempts some kind of relationship with a nude woman on the screen-within-the-screen. In his struggles to “free” her, he exposes the absurd flimsiness, deceptiveness and mutability of both the cinema experience and our human dimension.

Producer

An experimental short featuring people and nails.

Producer

The smallpox virus has created its own unique atmosphere in Terayama’s film where the skin of a bandaged adolescent and the surface of the filmic image are subjected to a bizarre ‘disturbance’ as snails cross the screen and nails are hammered into the skull of the ailing patient. Illness in this film is as much a psychic entity as a physical one and manifests itself in an array of theatrical tableaux from grotesque women rigorously brushing their teeth to a snooker game where the players in white face makeup behave like automata. A Tale of Smallpox uses a medical theme to chart the traumatic dream life of Terayama’s times, evincing deep-rooted concerns in the Japanese national psyche that hark back to the upheaval of Meiji modernisation and the devastation of World War Two.

田園に死す

Producer

A young boys' coming of age tale set in a strange, carnivalesque village becomes the recreation of a memory that the director has twenty years later.

書を捨てよ町へ出よう

Producer

万引き常習犯の祖母、戦争犯罪人の父、ウサギを偏愛する妹。駄目な家庭に育ち、いつも家出を考えている“私”と恵まれた環境に身を置く“彼”。行き場のない鬱屈とした情熱を持て余した“私”は奇妙な人々と出会い、幻想と回想の入り混じった街を放浪する。

Producer

Finished shooting in 1962, the movie’s cast was almost the same as its crew. With a bunch of experimental symbols such as skinny human body, clock and goat flow from one scene to another, the film explores the question of whether a man is a prisoner of time.

Finished shooting in 1962, the movie’s cast was almost the same as its crew. With a bunch of experimental symbols such as skinny human body, clock and goat flow from one scene to another, the film explores the question of whether a man is a prisoner of time.

はったり青年紳士

Hitomi Akutsu

Japanese comedy film.

Miyoko Edamura

A reckless student contemplates terrorism in a prescient film that confirmed Shinoda as a fearless member of Shochiku’s iconoclastic New Wave. At the height of student protests, Shimojo (Shinichiro Mikami) takes his aggressions to another level, beset by seemingly insoluble feelings of alienation.

三羽烏三代記

The story tells of Tsuchiya, a university professor and a widower who is in love with a widow who runs a small restaurant, and his son is in love with a runaway girl who turns out to be the leader of a religious sect. Kusano is the henpecked proprietor of a rice biscuit shop who dreams of owning a bird and dog shop and his daughter is in love with a boarder, employed by the private detective agency searching for the runaway girl. The agency head has his own dream of arranging thirty marriages and has already accomplished twenty-seven. Tatsumi is a newspaper reporter who dreams of a big scoop to enable him to marry a girl TV producer and his friend a mountain climbing enthusiast who dreams of joining a Himalayan expedition but is opposed by his wife. His love of the mountains is shared by a boarder in their home and by a fishmonger's son.

どんと行こうぜ

Comedy about the trials and tribulations of youth.

A boy, who is separated from his mother in an air raid, endures suffering and grief alongside his kind uncle.

明日の太陽

A playful short film made in the style of a trailer for a fictional feature film that seems to be a spoof of films that were popular in Japan at the time.

悪女の季節

The common-law wife and daughter of a wealthy old man plot to murder him and steal his fortune, with the help of their male acquaintances.