Costume Design
1992년 미래사회. 인도의 핵 인공위성이 고장나 지상에 추락할 위험으로 온 세계가 공포에 잠긴다. 클레어는 은행강도들과 손잡고 은행을 턴 돈을 파리까지 운반하는 과정에서 우연히 누군가에게 쫓기는 트레버를 만나 곧 그를 사랑하게 된다. 하지만 그는 매번 그녀에게서 도망친다. 클레어는 사립탐정을 고용해 마침내 그를 찾아낸다. 더불어 트레버의 실제 이름이 샘 파버라는 사실과 그의 비밀이 밝혀지는데, 샘의 아버리 헨리는 8세부터 실명한 아내 에디트가 세상을 볼 수 있도록 특수카메라를 고안한다. 이 카메라로 대상을 찍어 기록된 내용을 컴퓨터를 통해 실명자의 뇌로 전달, 세상을 볼 수 있게 한 것이다. 샘은 특수카메라를 들고 어머니가 볼 수 없었던 친구와 친척들, 그리고 발자취를 찾아 세계 구석구석을 돌고 있다. 이 발명품의 정보를 입수한 각국의 산업스파이, FBI, 마피아가 그를 추적하지만 마침내 샘은 호주에 도착하고 그들의 작업결과를 통해 어머니는 소원을 이룬다.
Costume Design
Jeanne is a woman who is driven by her very active conscience. She attempts to assuage her idealistic bent by trying out life as a nun, but this doesn't work out. After she leaves the convent, she takes a job at a factory, where the callousness of management spurs her to become a labor activist. Her efforts are marked by great persistence and fervor, but she lacks any kind of diplomacy or persuasiveness, and as the years progress, she manages to alienate everyone in her life. By the end of the film, there is only one way that she can see to resolve the horrible situation she finds herself in.
Set Designer
This unusual and intriguing interpretation of the ballet Cinderella with
choreography and staging by the renowned choreographer, Maguy Marin,
is set in a doll’s house with costumes to suit. This avant-garde, breakthrough
version of the tale of Cinderella, described as a brilliant theatrical
triumph, has toured the world since its premiere in 1985 and is acclaimed
for its amazing manipulation of mood, its intriguing narrative and innovative
staging. The production is regarded by some critics as a stepping stone
from classical ballet to something radically new.
Costume Design
This unusual and intriguing interpretation of the ballet Cinderella with
choreography and staging by the renowned choreographer, Maguy Marin,
is set in a doll’s house with costumes to suit. This avant-garde, breakthrough
version of the tale of Cinderella, described as a brilliant theatrical
triumph, has toured the world since its premiere in 1985 and is acclaimed
for its amazing manipulation of mood, its intriguing narrative and innovative
staging. The production is regarded by some critics as a stepping stone
from classical ballet to something radically new.