Maria Heiskanen
출생 : 1970-08-21, Kuopio, Finland
약력
From Wikipedia, the free encyclopedia.
Maria Heiskanen (born 1970) is a Finnish actress. She works in cinema, television and theatre.
Heiskanen received her breakthrough role in the 1991 Swedish film Il Capitano: A Swedish Requiem directed by Jan Troell. For her role Heiskanen won the Gold Plaque Award in Chicago International Film Festival for the Best Actress in 1992. Heiskanen lived in Sweden during 1993 - 2003 and worked in movies and theatre. She played in Kungliga Dramatiska Teatern and in Riksteatern where she for example performed role of Masja in Anton Chekhovs The Seagull (2008) directed by Lars Norén.
In Finland Heiskanen has worked with Aki Kaurismäki in Lights in the Dusk (2006). She also played in Aleksi Salmenperä's A Man's Work (2007) and was nominated for Jussi Awards from both performances.
In 2008, Heiskanen starred in the leading role of Jan Troell's Everlasting Moments, for which she won the Guldbagge Award for Best Actress and the Best Actress Award from Valladolid International Film Festival. The film won the Guldbagge Award for Best Film and was nominated for Best Foreign Language Film at the 66th Golden Globe Awards. It also made the January shortlist for Best Foreign Language Film at the 81st Academy Awards, but wasn't selected as one of the final nominees.
Description above from the Wikipedia article Maria Heiskanen, licensed under CC-BY-SA, full list of contributors on Wikipedia
Matron
2024년, 헬싱키의 외로운 두 영혼 안사와 홀라파는 어느 날 우연히 만나 눈길을 주고받는다. “그럼 또 만날까요? 근데 이름도 모르네요” “다음에 알려줄게요” 서로의 이름도, 주소도 알지 못한 채 유일하게 받아 적은 전화번호마저 잃어버린다. 운명이 이들을 갈라놓으려 할 때 두 사람은 다시 만날 수 있을까?
This melancholy, dryly comedic Finnish-language film is the fourth of a five-part series on minority languages in Sweden.
Gärd
A hard-working farmer, despairing by the harsh reality of his daily struggle, is determined to have his son taking over the farm and continue his legacy. The mother tries her best to keep the family together. Yet, with increasing horror, the son witnesses his father's psychotic behavior escalate.
Katri
A Finnish dramedy about an 11-year-old boy dealing with the loss of his parents.
Umbra's mother
Umbra is a scientist who wants to prove his theory that human beings are ruled by chance and devoid of any purpose, and as a consequence some become evil and cruel.
Umbra's Mother
Umbra is a scientist who wants to prove his theory that human beings are ruled by chance and devoid of any purpose, and as a consequence some become evil and cruel.
Socialkvinnan / The Social Services Woman
Faro is about a man who flees into the forest with his daughter to escape a prison sentence.
Silva
At first glance Maarit looks like any other woman in her early forties. There is, however, something strange under the surface. She radiates sexual energy that is hard to define.
Pirjo
Renowned journalist Torgny Segerstedt declares war against Hitler as he criticizes Swedish politicians who tried to look away from the tyranny of the Nazis with the good excuse of “neutralism”. His only weapon is his pen and his life is full of gossip such as an affair with his boss’ wife, a love scandal with a secretary younger than his daughter, and the suicide of his wife. However, he continues to fight a one man battle against Hitler and the Nazi regime until his death, throwing the question “Can one person really change history?” to the audience.
Ragnhild
Reunited after years apart, childhood sweethearts William and Janne are forced to confront the dark secrets of their past-and the menacing presence of William's pathologically jealous brother — in this haunting story from celebrated Norwegian director Sara Johnsen.
Kerttu Nuorteva, "Elina Sigrid Hämäläinen"
The life of a heroine. The life and work of Hella Wuolijoki. A poet, spy and millionaire, she turned into an internationally acclaimed businesswoman, politician and playwright, who collaborated with Europe's leading writers such as Bertolt Brecht and Maxim Gorky, but faced the harshness of a changing world as the Finnish, Soviet and British secret services focus on her life, family and work.
Marja
In the mid-1960s, three small-time Finnish bootleggers seize control of their Helsinki neighborhood's black-market liquor business.
Maria Larsson
만연한 빈곤과 함께 사회적 격변기를 겪는 스웨덴. 마리아는 카메라를 한 대 얻고, 이를 통해 세상을 새롭게 바라본다. 매력적인 사진 작가 페르데센이 그녀 앞에 나타나고, 알코올중독자인 마리아의 남편은 불안해지기 시작한다.
Katja
Juha is 38 years old and has three small children and a depressed wife. He sees himself as strong and believes a man should provide for his family. But one day Juha is fired from his job. Ashamed, he weaves a web of lies to hide the fact from his family. With the help of his friend Olli, Juha begins prostituting himself to support his wife and children. With this he makes in two hours what it took him two days to earn before. The shame and deception mushroom, but the pay from the new profession seems to offset the downside.
Aila
핀란드 헬싱키. 고도로 번영한 도시에서 일개 경비원으로 살아가는 코이스티넨. 마치 채플린 영화 속 방랑자 같은 모습의 그는 자신이 소외된 부유한 세상 속으로 들어갈 기회를 엿보고 있는 고독한 남자다. 그러나 동료들과 익명의 조직은 그의 소박한 희망을 차례로 망가뜨리기 시작한다. 그들은 코이스티넨의 직분을 이용해 범죄를 계획하면서 그가 오랫동안 사랑을 갈망해 왔다는 사실을 알아채고는 팜므파탈의 여성을 접근시킨다. 이 사건은 결국 코이스티넨을 나락으로 떨어뜨리고 그는 직장, 자유, 꿈 모든 것을 잃게 되는데.... 와 에 이은 핀란드 3부작의 마지막 편으로, 한 외로운 남자의 이야기가 아키 카우리스마키 특유의 유머감각과 내러티브를 통해 펼쳐진다. 외로움에서 벗어나고 싶은 남자 코이스티넨은 한 여자와 그녀의 친구들을 관찰하기 위해 야간 경비원과 직업을 바꾼다. 그녀를 멀리 떠나보내고 싶지 않은 마음에, 그는 침묵을 고수하며 자신의 자유마저 포기한다. 감정의 단절을 응시하는 아키 카우리스마키의 미니멀리즘적 영화.
Merja
19세기 말을 배경으로 엘자는 스웨덴의 한 농장에서 자란다. 동생을 낳다가 어머니가 돌아가신 후 엘자는 분노와 자기 파괴의 감정에 휩싸이고, 아버지와 가정부의 애정행각을 보면서 그녀에게 더 이상 기댈 곳이 없다는 외로움을 느낀다. 22살이 된 엘자는 비행학교에 유일한 여학생으로 등록하면서 새롭고 흥미로운 분야로 발을 들여 놓게 된다. 뭇 남학생들의 사랑을 독차지하던 그녀는 치명적인 사랑을 겪으며 공부를 마치고 스웨덴 첫 여성 파일럿이 된다. 깊은 슬픔으로부터 벗어난 그녀는 1920년대 자유로운 기운이 넘치는 베를린의 생활에 흠뻑 빠지게 되고 좀 더 새로운 것을 찾다가 낙하산을 발견한다.
Carla
A routine mission ends up in a flaming inferno when a house suddenly explodes. It looks like a spectacular suicide attempt but the technical investigation reveals unexpected evidence. Beck and his men are soon on the tracks of a narcotic syndicate...
Minna
The film is based on a true occurrence in Sweden in 1988. A Finnish couple murdered a young boy and his parents when they prevented the theft of the son's bicycle. The film tries to describe the relationship between the dominant Jari, who calls himself "Il Capitano", and his more mature "soldier" Minna, that develops into mutual dependence.
