Ariadna Ribas

Ariadna Ribas

프로필 사진

Ariadna Ribas

참여 작품

The Undergrowth
Editor
Three sisters on the Canary Islands, their everyday lives infused with a magical, meditative lyricism. Three life strategies without a breadwinner, narrated via the body, a mix of staging, observation and memory. Before the volcano, serenity arrives.
Creatura
Editor
After moving in with her boyfriend, Mila becomes aware of her loss of desire.
Suro
Editor
Elena and Ivan are getting ready to enter into a new phase in their life. They are leaving the metropolis of Barcelona to settle in the Catalan countryside, where they are taking over a cork oak plantation. Not only will the business pay for their living, but they also want to exploit the plantation equitably and sustainably. But despite their ideals, Elena and Ivan soon find themselves in a crisis which will endanger not only their project, but also their relationship.
퍼시픽션
Editor
프랑스령 폴리네시아에서 일어나는 정치권력 투쟁을 탐구한다. 섬 곳곳에선 프랑스의 핵실험이 재개될 것이라는 소문이 흉흉하다. 이는 독립 운동을 하는 주민들의 봉기를 촉발할 수 있다. 브노아 마지멜이 천연덕스럽게 연기하는 고위공무원 드 롤러는 항상 흰색 옷을 입고 프랑스 군과 지역 정치인 사이를 오간다. 마을의 소년과 소녀들이 성매매를 하고 네온 불빛이 점멸하는 나이트클럽의 숨 막히는 분위기 안에선 끊임없이 밀거래와 위협이 오간다.
Tolyatti Adrift
Editor
A portrait of the disenchanted youth of the city of Tolyatti, once a symbol of Soviet progress and the automobile, now devastated by economic decline. Laura Sistero encounters an aimless young generation, who express their dreams of escape through crazy races in old patched-up Ladas. A cinematic object is propelled by spectacular skids to the rhythm of an electro-rock soundtrack.
Courage
Editor
A story about aging, motherhood and life. About looking back and not understanding how you got to where you are, about wounds so deep that all the energy is spent on not wanting to see them. An intimate drama where, through fiction, the director delves into the wounds of his own family.
Magaluf Ghost Town
Editor
At the height of the summer tourist season, the Spanish beach town Magaluf turns into a hellscape of the low-cost travel industry. For eight weeks every year, over one million mostly British vacationers ride an alcohol-soaked tide of public urination, fisticuffs and ambulance sirens for recreation. Instead of assembling a clip-reel of "balconing," when drunk idiots jump into hotel pools from their balconies, filmmaker Miguel Ángel Blanca crafts a far deeper and atmospheric look at a place where visitors and locals alike are driven by pleasure. Long-time resident Maria has little time left, so she takes in a seasonal lodger who listens to her relive her glory days. An enterprising real estate agent peddles an extravagant development, while a young gay man drifts without any plans beyond robbing a tourist for kicks. Part ghost story, part foreboding parable, this is a stylish and vivid impression of people and a place dreaming of escape. Myrocia Watamaniuk (Hot Docs)
On the Other Side
Editor
When director Iván Guarnizo's mother passes during the first days of peace talks with FARC-EP in Colombia, a door opens to explore a dark and painful past and, perhaps, find forgiveness. Iván's mother had been kidnapped by FARC-EP forces and held in captivity for 603 days. As they marched her through the jungles and mountains of the Colombian countryside, she was able to keep a diary that in great detail documented the places she was taken, her experiences and the names and descriptions of her captors.
견습공의 일주일
Editor
스페인에서 구직 중인 모로코의 이민자 청년 모하메드. 하필이면 고른 일자리가 성질 급한 배관공 발레로의 출장 주택 수선사무소라니. 차분하고 과묵한 모하메드와 외국인이 못마땅한 발레로 사이에 긴장감이 감돈다. 모하메드는 견습공으로 딱 일주일만 참으면 어엿한 직업을 가질 수 있다고 다짐하지만 일주일은 결코 짧은 시간이 아니다. (제26회 부산국제영화제)
The Ghost Girl
Editor
A girl regularly leaves food at the door of her grandfather's room, who is ill. One day the grandfather does not open the door. Then the girl decides to enter.
The Strange
Editor
Amadeu, nine years old, goes to a summer camp for the first time. The first few days are tough, but Nil, the most expert monitor, gains his trust and helps him integrate into the group. Just when Amadeu starts to feel comfortable a violent experience forces him to rebel against everything he had learned.
리베르떼
Editor
1774년 프랑스 혁명 직전. 포츠담과 베를린 사이의 어느 곳. 마담 드 듀메발과 테시스 공작은 ‘리베르탱’이다. 이것이 루이 16세의 청교도적인 궁정에서 그들을 제명시킨 이유다. 이들은 향락을 추구하는 자유로운 몸과 영혼의 소유 자, 전설의 인물 드 왈첸 공작의 지지를 구하러, 긴 밤으로의 여행을 떠난다.
Personalien
Visual Effects
In an ambiance loaded with tension, intellectual doubts and creative frustration, Rainer Werner Fassbinder writes and teaches the staging of a theater piece about the 18th century Libertiage at a great theater in Berlín.
Personalien
Editor
In an ambiance loaded with tension, intellectual doubts and creative frustration, Rainer Werner Fassbinder writes and teaches the staging of a theater piece about the 18th century Libertiage at a great theater in Berlín.
태양왕 루이 14세
Editor
미술관을 찾은 관객들 앞에 한 연기자가 있다. 그는 루이 14세가 죽음에 이르며 겪었을 정신적, 육체적 고통을 느린 호흡으로 연기한다. 그는 루이 14세의 페르소나를 연기하며 수수께끼로 남아있던 존재의 참모습을 드러내려 한다. 영화는 세 가지 차원인 죽어가는 육신, 촬영됨을 인지하는 연기자, 루이 14세가 만나 제기하는 의문을 포착하고, 이들이 관능과 무구의 감각으로 통합되는 양상을 제시한다.
Julia Is
Editor
A young Spanish exchange student who is on her own for the first time in her life tries to adjust to a vastly different life in Berlin.
Idols
Thanks
At a party in Barcelona, Helena hopes to meet an old lover from who she is still in love. While the night moves forwards, her initial sensuality becomes disdain.
Enchanted Moon Red Snake Silver Tray
Editor
A snake charmer’s basket that brings forth only deaf creatures. A moon revealing a new side. Twisted heroines scratching their way out of a film still.
Enchanted Moon Red Snake Silver Tray
Director
A snake charmer’s basket that brings forth only deaf creatures. A moon revealing a new side. Twisted heroines scratching their way out of a film still.
루이 14세의 죽음
Editor
1715년 8월. 루이 14세가 다리의 통증을 호소한다. 그는 이후 며칠간 고통과 고열에 시달리면서도 공식적인 직무를 수행하기 위해 애쓰지만 점점 쇠약해진다. 프랑스의 가장 위대한 왕의 마지막 날들은 이렇게 시작되었다. 장피에르 레오에게 ‘인생의 배역’을 안긴 그림 같은 영화. (2016년 제21회 부산국제영화제)
The Three Little Pigs
Editor
A 101-hour long reflection on the construction of Europe, its cultural identity and its foundations through the complete adaptation of the texts ‘Conversations with Goethe’ by J. P. Eckermann, ‘Hitler’s Table Talks’ and ‘Fassbinder über Fassbinder: Die ungekürzten Interviews’ (a compilation of interviews with the German filmmaker Rainer Werner Fassbinder, which is used as a counterpoint to the first two books). The texts are read, page by page, by non-professional actors.