Ariadna Ribas

Three sisters on the Canary Islands, their everyday lives infused with a magical, meditative lyricism. Three life strategies without a breadwinner, narrated via the body, a mix of staging, observation and memory. Before the volcano, serenity arrives.

After moving in with her boyfriend, Mila becomes aware of her loss of desire.

Elena and Ivan are getting ready to enter into a new phase in their life. They are leaving the metropolis of Barcelona to settle in the Catalan countryside, where they are taking over a cork oak plantation. Not only will the business pay for their living, but they also want to exploit the plantation equitably and sustainably. But despite their ideals, Elena and Ivan soon find themselves in a crisis which will endanger not only their project, but also their relationship.

Em Pacifiction, em uma ilha da Polinésia Francesa, uma escritora retorna ao seu país depois de ter triunfado na França com um romance. No entanto, ela está desorientada e em crise criativa. Diante da impossibilidade de escrever novos trabalhos, ela decide aceitar um trabalho de tradução simultânea junto com um embaixador. Uma estranha atração amorosa começa entre eles, cheia de contrastes. Aos poucos ela percebe o cinismo da política internacional, com uma ameaça latente de novos testes nucleares por parte do governo francês. Seu caso de amor com o embaixador será afetado por esse conflito, e interesses políticos e romance se misturam.

A portrait of the disenchanted youth of the city of Tolyatti, once a symbol of Soviet progress and the automobile, now devastated by economic decline. Laura Sistero encounters an aimless young generation, who express their dreams of escape through crazy races in old patched-up Ladas. A cinematic object is propelled by spectacular skids to the rhythm of an electro-rock soundtrack.

A story about aging, motherhood and life. About looking back and not understanding how you got to where you are, about wounds so deep that all the energy is spent on not wanting to see them. An intimate drama where, through fiction, the director delves into the wounds of his own family.

At the height of the summer tourist season, the Spanish beach town Magaluf turns into a hellscape of the low-cost travel industry. For eight weeks every year, over one million mostly British vacationers ride an alcohol-soaked tide of public urination, fisticuffs and ambulance sirens for recreation. Instead of assembling a clip-reel of "balconing," when drunk idiots jump into hotel pools from their balconies, filmmaker Miguel Ángel Blanca crafts a far deeper and atmospheric look at a place where visitors and locals alike are driven by pleasure. Long-time resident Maria has little time left, so she takes in a seasonal lodger who listens to her relive her glory days. An enterprising real estate agent peddles an extravagant development, while a young gay man drifts without any plans beyond robbing a tourist for kicks. Part ghost story, part foreboding parable, this is a stylish and vivid impression of people and a place dreaming of escape. Myrocia Watamaniuk (Hot Docs)

When director Iván Guarnizo's mother passes during the first days of peace talks with FARC-EP in Colombia, a door opens to explore a dark and painful past and, perhaps, find forgiveness. Iván's mother had been kidnapped by FARC-EP forces and held in captivity for 603 days. As they marched her through the jungles and mountains of the Colombian countryside, she was able to keep a diary that in great detail documented the places she was taken, her experiences and the names and descriptions of her captors.

“Sis Dies Corrents” de Neus Ballús mostra um choque cultural entre um jovem marroquino e seu chefe catalão, expondo os preconceitos e fetiches do “exótico” que os europeus possuem diante de Moha (Mohamed Mellali). Valero (Valero Escolar), o chefe, é um preconceituoso que não consegue admitir a eficiência do rapaz, sendo rude em todas as situações e partindo na defensiva para dizer que “preconceituoso são os outros, não eu” ou “os clientes não gostam dos estrangeiros”, tentando argumentar que a contratação foi um equívoco.

A girl regularly leaves food at the door of her grandfather's room, who is ill. One day the grandfather does not open the door. Then the girl decides to enter.

Amadeu, de nove anos, está a deixar os campos pela primeira vez. À medida que os dias passam, terá de enfrentar uma situação muito violenta que vai abalar tudo o que aprendeu.

Pouco antes da Revolução Francesa, um grupo de libertinos expulsos da corte de Luís XVI foge para a Alemanha, onde se encontram com o lendário sedutor e livre pensador Duc de Walchen. O objetivo deles? Exportar a libertinagem, uma filosofia baseada na rejeição da moralidade e autoridade.

In an ambiance loaded with tension, intellectual doubts and creative frustration, Rainer Werner Fassbinder writes and teaches the staging of a theater piece about the 18th century Libertiage at a great theater in Berlín.

In an ambiance loaded with tension, intellectual doubts and creative frustration, Rainer Werner Fassbinder writes and teaches the staging of a theater piece about the 18th century Libertiage at a great theater in Berlín.

Catalan director Albert Serra’s follow-up to his magisterial The Death of Louis XIV is another forensic documentation of the Sun King’s final breaths. Here, however, Versailles is replaced with the glow of the gallery.

A young Spanish exchange student who is on her own for the first time in her life tries to adjust to a vastly different life in Berlin.

At a party in Barcelona, Helena hopes to meet an old lover from who she is still in love. While the night moves forwards, her initial sensuality becomes disdain.

A snake charmer’s basket that brings forth only deaf creatures. A moon revealing a new side. Twisted heroines scratching their way out of a film still.

A snake charmer’s basket that brings forth only deaf creatures. A moon revealing a new side. Twisted heroines scratching their way out of a film still.

No ano de 1715, mais especificamente no mês de agosto, o monarca Luís XIV (Jean-Pierre Léaud) começa a sentir dores na perna. Ele continua a exercer suas funções nos dias seguintes, mas passa a ter sonos intranquilos, além de problemas com alimentação e febre. Cada dia mais fraco, acompanhamos os lentos últimos dia da sua vida.

A 101-hour long reflection on the construction of Europe, its cultural identity and its foundations through the complete adaptation of the texts ‘Conversations with Goethe’ by J. P. Eckermann, ‘Hitler’s Table Talks’ and ‘Fassbinder über Fassbinder: Die ungekürzten Interviews’ (a compilation of interviews with the German filmmaker Rainer Werner Fassbinder, which is used as a counterpoint to the first two books). The texts are read, page by page, by non-professional actors.