Gábor Csépai

Gábor Csépai

프로필 사진

Gábor Csépai

참여 작품

블레이드 러너 2049
Production Assistant
인간과 리플리컨트가 혼재된 2049년. 인간의 통제를 벗어난 리플리컨트를 쫓는 블레이드 러너 K는 임무 수행 도중 약 30년 전 여자 리플리컨트의 유골을 발견하고 충격적으로 출산의 흔적까지 찾아낸다. 리플리컨트가 출산까지 가능하다는 사실이 알려지면사회에 큰 혼란이 야기되므로 이를 덮으려는 경찰 조직과, 그 비밀의 단서를 찾아내 더욱 완벽한 리플리컨트를 거느리고 세상을 장악하기 위해 K를 쫓는 니안더 월레스. 리플리컨트의 숨겨진 진실에 접근할수록 점차 정체성의 혼란을 겪게 되는 K는 과거 블레이드 러너였던 릭 데커드를 만나 전혀 상상치 못한 진실을 마주하게 되는데...
Moleman 4: Longplay
It is the year 2546. Corporations rule the world, and an agent is on a secret mission to explore the untold stories of the past. His journey leads him into a secret virtual reality where one corporation has recreated the 1980s, an era that witnessed the birth of video game development, an event in which a politically and economically restricted small European country, Hungary, had a significant role. He discovers a strange but exciting world, where computers were smuggled through the Iron Curtain and serious engineers started developing games. This small country was still under Soviet pressure when a group of people managed to set up one of the first game development studios in the world, and western computer stores started clearing room on their shelves for Hungarian products.
Moleman 3: Journey to the Surface
Writer
Moleman 3 is a documentary diary about a journey from the underground to the cultural surface. Music styles and artists ignored by record labels and the mainstream media didn't have much chance of getting wide recognition back in the day. The digital revolution changed everything. The internet and digital technology, accessible to everyone, reshaped the music industry completely. The significance of record labels which controlled mainstream music has changed and decayed. For genres building themselves up from the bottom, success was once unimaginable without a record label and money. As of today, thanks to the digital revolution, it can easily be done.
Moleman 3: Journey to the Surface
Mc Fantom
Moleman 3 is a documentary diary about a journey from the underground to the cultural surface. Music styles and artists ignored by record labels and the mainstream media didn't have much chance of getting wide recognition back in the day. The digital revolution changed everything. The internet and digital technology, accessible to everyone, reshaped the music industry completely. The significance of record labels which controlled mainstream music has changed and decayed. For genres building themselves up from the bottom, success was once unimaginable without a record label and money. As of today, thanks to the digital revolution, it can easily be done.
Moleman 2: Demoscene
Writer
In the 1980's, something changed the world forever. Computer technology, mostly due to the appearance of affordable Commodore 64's, entered households worldwide, providing the opportunity for everyone to create digital art. Moleman 2 is about the demoscene subculture, told by mostly Hungarian sceneres, but it features also some other nationalities.
Moleman
Self
Moleman is a documentary diary about the independent subcultures of a bustling Central European capital, Budapest. Under the cultural surface of the metropolis lies a flourishing art life, and alternative recreational activities are available. There are many who do not follow the mainstream taste, and do not fall for the temptation of the commercial media. The originators of Budapests subcultures and their audience represent hundreds of thousands of people. These subcultures and artists should not be underrated or disregarded. Moleman chooses five characters from this world, and allows us to peek through their eyes into a culture and lifestyle that lie out of the realm of celebrities, that is other than Pop Idol or the soap opera Between Friends or the pop band Hooligans. But it exists, creates works and is taking shape.
Moleman
Director
Moleman is a documentary diary about the independent subcultures of a bustling Central European capital, Budapest. Under the cultural surface of the metropolis lies a flourishing art life, and alternative recreational activities are available. There are many who do not follow the mainstream taste, and do not fall for the temptation of the commercial media. The originators of Budapests subcultures and their audience represent hundreds of thousands of people. These subcultures and artists should not be underrated or disregarded. Moleman chooses five characters from this world, and allows us to peek through their eyes into a culture and lifestyle that lie out of the realm of celebrities, that is other than Pop Idol or the soap opera Between Friends or the pop band Hooligans. But it exists, creates works and is taking shape.