Yasuhiro Morinaga

1960년대 인도네시아의 조용한 시골 마을에 사는 시만은 과묵한 남자다. 그는 우연히 달에 우주인이 착륙하는 영상을 조작, 촬영하고 있는 장면을 목격하게 되는데, 그를 발견한 조작단에 의해 혀를 잘린다. 이후 시만은 우주복을 입고 우주를 유영하는 우주 비행사처럼 슬로우 모션으로 행동하기 시작하고 마을 사람들로부터 미친 사람 취급을 받게 된다.

쌍둥이 탄트라와 탄트리에게는 남은 시간이 얼마 없다. 병상에 누운 탄트라는 점점 쇠약해져 가고, 탄트리는 동생의 죽음을 맞이할 준비를 한다. 상실과 희망이 뒤섞인 상상력의 놀이를 이어가는 탄트리. 주술 같은 이미지로 상실을 치유하는 놀라운 마법 같은 영화. (2017년 제22회 부산국제영화제) 탄트리는 병실에서 자신의 쌍둥이 형제인 탄트라와 보낼 시간이 얼마 남지 않았다는 것을 깨닫는다. 탄트라의 뇌 기능이 쇠약해 지면서 조금씩 감각을 잃어가기 시작했기 때문이다. 탄트라를 지켜보며 탄트리는 마음속에 무엇인가 자극을 받는다. 매일 밤 탄트리는 꿈에서 깨어나 탄트라를 본다. 현실과 꿈의 사이에서 탄트리는 마법과도 같은 경험을 하며 감정의 교류를 느끼고 그것을 몸으로 표현한다. 마치 희망과 상실을 나타내는 것처럼. (2018년 제15회 서울환경영화제)

Sakura is a moody teenage girl who lives close to the US military base in the city of Yamato, Japan. She is struggling everyday to become a rapper like the American rappers she admires, but always gets stage fright when she sings in front of an audience. One day, her mother's American soldier boyfriend's daughter REI comes from California to visit her family.

조금씩 깊어질수록 그녀는 잔인해진다! 조금씩 깊어질수록… 그녀는 잔인해진다! 시부야 인근의 러브호텔거리에서 벌거벗겨진 사체들이 조각난 채 마네킹에 끼워져 있는 잔혹한 살인 사건이 발생한다. 핑크 페인트로 얼룩진 방엔 피로 쓴 ‘성(成)’이라는 글자만이 남겨져 있을 뿐 어떤 흔적도 찾을 수 없고 사건을 맡은 형사들은 난감해 한다.

Karaoke juxtaposes a young man's idealism with the reality of a changing Malaysia through karaoke videos.

There are a boy and a girl: they're called names such as "fag" and "transman" by their classmates. Their real names are Mikio and Tokiko. One day, Tokiko moves and leaves the school. Ten years later, she comes back to the town and meets Mikio again. Their reunion re-starts their time, which had been at a standstill and the story goes toward the end of their past.

Under Professor Furuchi, Kawano has been engaged in the development of a new vaccine against the unidentified substance which fell from outer space. People infected with it begin to attack other human beings for blood. The one and only way to prevent the attacks of the infected people is getting vaccinated and becoming one of them. Kawano has volunatrily chosen to be infected for absorbing in the research. His girlfriend Taeko is worried about him and visits the laboratory. She tries to rescue Kawano in cooperation with his friend Sawamura, a medical practitioner in town: meanwhile, the mysterious black substance has started pouring down from the sky...

A housewife was killed by a falling fire extinguisher, which a boy of seven years dropped from the top floor of an apartment. The offender, however, was not accused because he was too young. Ten years later, a series of murders occur, which target young girls only. It is the boy accused of killing the housewife who comes up in the couse of investigation, while the son of the murdered mother is the witness of a new murder. When the two families of the offender and of the victim meet again, two opposite morals conflict with each other – one is to crack down on the sin beyond the law and another is to disapprove the retaliation.

Hasegawa is writing a sequel to his previous novel, based on a true character who murdered 9 people on the street, with the premise that the killer had a brother. The main character in his new novel, Harumi, drops out of high school and leads a quiet life, unable to understand his brother. He is scared that the same blood runs in his veins but is also enraged by the fact that his brother’s life is consumed as material for novels by many writers. A novelist, Hasegawa faces limitations in making being able to make fiction as real and cruel as it is in reality. Hasegawa hears from a witness how a murder happened but he cannot be sure if it is a true event or from her imagination. One day, Hasegawa encounters Harumi… This is an obscure yet attractive film that extends its style from Kurosawa Kiyoshi to David Lynch. The title, A Bao A Qu, comes from a shapeless being that earns its shape as the pilgrim of a true heart near him featured in Indian religion and The Arabian Nights.