Yasuhiro Morinaga

Siman discover a foreign crew shooting a moon landing. He gets caught and his tongue is cut off. He goes through life in slow motion, imitating an astronaut in outer space, labeled as crazy.

Tantra and Tantri are inseparable. When they secretly steal eggs from the family’s sacrificial offering, Tantri always gets the whites and Tantra the yolks. One day, however, the yolk is missing, as is Tantra. Her brother gravely ill and in hospital, Tantri starts slipping into magical parallel worlds, approaching the inevitable farewell through costumes, body paint and dance. When at one point Tantri’s mother washes the paint from her face, it is as if tenderly to expel the illusion that things can remain as they are. In long dream sequences and against the background of the Balinese philosophy of sekala – the seen – and niskala – the unseen – Andini relates how one ten-year-old girl deals with parting and grief.

Sakura is a moody teenage girl who lives close to the US military base in the city of Yamato, Japan. She is struggling everyday to become a rapper like the American rappers she admires, but always gets stage fright when she sings in front of an audience. One day, her mother's American soldier boyfriend's daughter REI comes from California to visit her family.

Ицуми замужем за известным писателем романтического жанра, но их семейная жизнь выглядит как повесть, лишённая романтики. Однажды она решает последовать своим желаниям и соглашается обнажённой имитировать секс перед камерой. Остановится ли Ицуми в своих желаниях и удастся ли ей совмещать новые занятия с ролью заботливой жены?

Karaoke juxtaposes a young man's idealism with the reality of a changing Malaysia through karaoke videos.

There are a boy and a girl: they're called names such as "fag" and "transman" by their classmates. Their real names are Mikio and Tokiko. One day, Tokiko moves and leaves the school. Ten years later, she comes back to the town and meets Mikio again. Their reunion re-starts their time, which had been at a standstill and the story goes toward the end of their past.

Under Professor Furuchi, Kawano has been engaged in the development of a new vaccine against the unidentified substance which fell from outer space. People infected with it begin to attack other human beings for blood. The one and only way to prevent the attacks of the infected people is getting vaccinated and becoming one of them. Kawano has volunatrily chosen to be infected for absorbing in the research. His girlfriend Taeko is worried about him and visits the laboratory. She tries to rescue Kawano in cooperation with his friend Sawamura, a medical practitioner in town: meanwhile, the mysterious black substance has started pouring down from the sky...

A housewife was killed by a falling fire extinguisher, which a boy of seven years dropped from the top floor of an apartment. The offender, however, was not accused because he was too young. Ten years later, a series of murders occur, which target young girls only. It is the boy accused of killing the housewife who comes up in the couse of investigation, while the son of the murdered mother is the witness of a new murder. When the two families of the offender and of the victim meet again, two opposite morals conflict with each other – one is to crack down on the sin beyond the law and another is to disapprove the retaliation.

Hasegawa is writing a sequel to his previous novel, based on a true character who murdered 9 people on the street, with the premise that the killer had a brother. The main character in his new novel, Harumi, drops out of high school and leads a quiet life, unable to understand his brother. He is scared that the same blood runs in his veins but is also enraged by the fact that his brother’s life is consumed as material for novels by many writers. A novelist, Hasegawa faces limitations in making being able to make fiction as real and cruel as it is in reality. Hasegawa hears from a witness how a murder happened but he cannot be sure if it is a true event or from her imagination. One day, Hasegawa encounters Harumi… This is an obscure yet attractive film that extends its style from Kurosawa Kiyoshi to David Lynch. The title, A Bao A Qu, comes from a shapeless being that earns its shape as the pilgrim of a true heart near him featured in Indian religion and The Arabian Nights.