Gam Lau

어릴때 부모를 모두 잃은 아화는 범죄 세계에 빠져 오토바이를 즐기며 산다. 보석상을 터는 일을 도와주다 경찰에 몰린 아화는 길을 가던 여인 죠죠를 인질로 잡아 달아나게 되는데, 이것이 계기가 되어 두 사람은 사랑하는 사이로 발전한다. 아화의 의형이 범죄 세계의 세력 다툼에서 지고는 암살되자 그가 복수의 길을 간다. 그는 복수를 하고 죽음의 길로 들어선다.

The oriental answer to USA's Fright Night movie, but there's more concentration on the high school motif similiar to the Hong Kong Happy Ghost series.

A Cantonese opera company is attacked by an army of ghosts, thanks to a feud between the dead grandfathers of one of the company's actresses and a young man.

Three females from a private detective agency are hired to find out what happened to a man who went missing while scuba diving.

In 1974, John Lo Mar co-directed The Crazy Bumpkins, a new variation on the time-tested, beloved Cantonese comedy "Country Bumpkin" tradition. That proved such a success that a sequel, Return Of The Crazy Bumpkins, soon appeared. Now, the third time's the charm, as John Lo Mar gets to both write and direct the third slapstick-filled installment, once again starring Yeh Feng and Wang Sha as the hapless and hilarious yokel Ah Niu and his crafty city-slicker Uncle Chou.

Forced to choose between the woman he loves and the dangerous, fast-paced life of motorcycles, what will our hero do? Will he toss the bike aside and pick the girl? Or will he leave the girl in favor of the bike? Or is there a chance for some sort of compromise?

성룡이 진원룡(陳元龍)이라는 이름으로 활동하던 시기에 촬영한 초기작. 1979년 금흠 감독에 의해 '조수괴초(刁手怪招, Master with Crack Fingers)'라는 제목으로 재편집본이 만들어졌으며, 국내에도 '조수괴초'로 개봉하였다.

Hong Kong drama film.

A Chinese fantasy drama

Hong Kong martial arts / horror.

Working as a telephone operator on the nightshift, David Lau received some calls from a woman for a David and agrees to a blind date. Wearing a violet on his lapel, David mistakes someone else for his date. Jennie Lee, a stranger, comes calling at the hotel, addressing a bewildered David with an intimacy that is familiar and awkward. Mok Yu-fuk, the self-proclaimed Sherlock Holmes, follows Jennie but gets robbed. Lau received an invitation to Jennie's birthday party. The guests acting strange at the party. Jennie and Lau take a stroll along the beach. Jennie suddenly hurls herself into the sea in a run. Five years ago, when Jennie was having a heart-to-heart talk with her fiance David Wong on the beach, her neglected brother ran off to the sea and drowned himself. Suffering from a nervous breakdown ever since, Jennie was devasted by the departure of her fiance to America. The hopes Jennie's parents are pinning on the new David to boost their daughter's recovery are merely wishes.

Guerrilla member Ting Siu-yuen works as a playwright and Lee, the leader of an opera troupe. They conceal their identities in the troupe in order to gather military intelligence. Yuen gradually falls in love with the lead actress Mui Law-heung. Ting is unsettled to learn that County Chief Fong covets Mui. He sneaks into Fong's residence and is astounded by the sight of his old lover Pak Kuen, now Fong's wife. Fong colludes with the military chief in conducting vicious schemes. With Kuen's help, Yuen is able to get the intelligence. But as Heung is not an insider, she reports to the Governor about the illicit relationship between Yuen and Kuen. Kuen backs Yuen to eliminate the conspirators and bring about the union of Yuen and Heung.

Iron-Beaked Hen and Fatso Bo on their way to the city to help a relative out of some trouble, they run into a band of robbers. They stop over an allegedly haunted house where they save the lovers To Lok-yin and Yu Mei-yung from their attemped suicide. Hen learn their story and decide to help them out. Yin comes from a rich family, he lost his father when he was very young and was brought up by his uncle. Now that he is old enough to claim his inheritance, the guardian, his uncle, in order to keep the fortune under control, forces him to marry a girl of his choosing. The couple cannot face separation and resolve to end their lives together. Hen thinks of a way to help them, which involves Yin pretending to comply; that is, to go ahead with the marriage arrangement. On the wedding day, they swap the bride with Yung. Disguised as a matchmaker and a county official respectively, Hen and Bo reprimand To's uncle who schemes to seize To's family fortune. To and Yu marry.

Chan Sai-wah abides by his late father's word and marries the wealthy Yam Suk-kuen. They have a son, Kwok-leung. Though Wah is manager of the hotel owned by his father-in-law, Kuen is not a good wife. For all the years of their marriage, Wah has never been happy. Attracted to the humble and honest Carrie Mui, Wah decides to leave his domineering wife Kuen, but is stopped by his father-in-law. The lovers set off to Macau for a new start. Their life has become increasingly miserable under the pressure from Yam's family. When Wah leaves to seek help from his son in Hong Kong, Carrie decides she should leave so that Wah can go without feeling any guilt or burden. On the other hand, Wah is too ashamed to face his son, and returns to Macau. He lives his life in misery. Years pass, the lovers meet again. Wah is reduced to begging in the streets while Carrie becomes an opera diva.

Reporter Yu Mong-yuen is recovering from a leg injury in his fiancee Man-wah's apartment. Bored, he looks out the rear window and observes the life of the neighbouring building. Among the tenants are a sugar-daddy and his mistress, a middle-aged man wants to marry a young girl, but she is in love with his son. Finally, she hatches a plot and makes the man agree to her marrying his son ; a sly fortune-teller ; a lively gym, a rich widow quarrels with the trainer of a gymnasium because his dog has bitten her cat ; and an opera school, a woman signs, leaning on the balcony, and a man tries to strangle her. In fact they are rehearsing an opera…… One evening, Wah is on the night shift, and Yuen watches the opera troupe rehearse to the end. Under the influence of drugs, Yu mistakenly believes that a divorced man has murdered a taxi dancer. He alerts the police, but the whole thing is nothing more than a misunderstanding.

Upon the death of an elderly master, a family has a dispute over the distribution of an inheritance / jewelry and are haunted by ghosts.

An opera troupe has to dissolve in view of the poor economy. Comedian star Sang Kwai-lei loses his job and he has no alternative but to play the lion character in the opera troupe of his former junior apprentice Chan Hau and pawn his stage costume. He aims at earning enough money to support the final year's secondary school studies of his elder son Chi-kuen. Kuen however refuses to continue his studies, seeing that his father has to put aside his dignity to earn money and his mother is worried. Lei is enraged and uses the money to support his younger son Chi-wai's studies. Again, Lei loses his job and he resorts to giving street performances, his wife takes up sowing work in her spare time and she dies after a long illness. Kuen works to support himself through school, but Wai is less fortunate, he is forced to enrol in an opera troupe as an apprentice. Years later, the dying father joyfully embraces Chi-kuen's return from his studies.

Ah Hing is made pregnant by her master Fan Chun-kit. Fan soon leaves for his studies overseas while Ah Hing suffers gross prosecution and is reduced to becoming a prostitute. In a momentary slip of a struggle, Ah Hing commits manslaughter. Now a qualified lawyer, Fan acquits Ah Hing of the charge, and intends to marry her to redeem his negligence in the past. Ah Hing, however, is determined to pursue an independent life.

Cold Nights features great performances by both Pak Yin as a tough minded “new woman”, Shusheng, and Ng Cho-fan as her weak husband, Wang Wenxuan, whose spirits have been crushed by the Sino-Japanese war.

Starring Tak-Hing Kwan as Wong Fei-Hung

After seeing a friend of his boss' son adopted over his promised promotion with connections, Shrimp's father, a minor white-collar worker Ng Kwun-sing, vows to get Shrimp a place in a prestigious school and a chance to make friends with the rich. However, Shrimpy is constantly bullied and discriminated against by his classmates. Ng has not the means to be a social climber and finally realises his mistake. He sends his son to a voluntary school so that he may grow up happily. This poignant father-son drama shows a parents' willingness to carve out a good future for their children by any means necessary.

"Family" (1953), which launched the Union Film legacy, "Spring" (1953) and "Autumn" (1954) are adaptations of Ba Jin's highly regarded novel "Torrent Trilogy". In "Family", director Ng Wui skilfully condenses the voluminous first part of the novel into an emotionally powerful and intellectually focused story of youngsters struggling to survive oppression and repression in a feudalistic family. This well-received film quickly established the company's reputation.

Drama from Hong Kong directed by Chu Kei.

Chinese Opera from Hong Kong directed by Chan Pei.

Chinese Opera from Hong Kong directed by Lau Fong.

Musical comedy from Hong Kong directed by Chiang Wai-Kwong.

Comedy from Hong Kong directed by Yam Wu-Fa.

The sophistication of 1950s Hong Kong cinema is vividly illustrated in this film of limited budget and resources. Cantonese opera star Sun Ma Si-tsang plays a country boy who looks exactly like Sun Ma and is asked by a rich girl to impersonate the star, to help her stage an opera. The self-reflexive humour generated by the absurd situation not only provides delicious parody of celebrity culture but also comments subtly on class inequality and the perils of urbanisation. Sun Ma, who also appears as himself in a stage performance, is complemented beautifully by the brilliant comedian Yee Chau-shui as his sidekick and Hung Sin Nui, another opera superstar, as the spoiled and precocious rich girl.