Max Tuula

Artem loves Yulia, Yulia loves Artem. They recently graduated from school, moved to Moscow and began an independent life. In search of part-time jobs, Artem comes up with the idea of ​​creating another image from Yulia - Eva Elfi - and making an amateur video for PornHub. Suddenly, the video becomes popular, Eva gets more and more job offers, and Artem becomes the boyfriend and producer of a world celebrity. The heroes seem to fall into the "American dream", but in their personal lives there are more and more problems and doubts.

시베리아 북극 빙하 지역에 살아가는 어린 자하, 가족들과 유목의 삶을 살아간다. 초원에서 순록을 방목하면서 나름의 삶을 즐긴다. 어느 날 제도권 교육을 제안받는다. 학교는 자하에게 수학과 정치, 역사를 알아야 한단다. 그리고 친구들간의 선의의 경쟁을 익히란다. 자하에게 교육이 필요할까?

A nostalgic look at the birth and death of arthouse film distribution in the early 2000s in Russia. The story of the "Cinema Without Borders" company and its two founders, Sam Klebanov and Anton Mazurov.

August 2015, a courtroom in Rostov-on-Don. A man is peering through the bars of his cage, his eyes reveal that his nerves are about to snap. Today he will be handed down a sentence to which he must submit: 20 years’ imprisonment in Siberia for terrorism. The man is Oleg Sentsov, a film director and Maidan activist born in Simferopol in the Ukraine. He is charged with leading an anti-Russian terrorist movement and having planned attacks on bridges, power lines and a monument of Lenin. Sentsov defends himself, courageously and without flinching. He responds to the verdict with an emphatic denial of his crimes and instead accuses the accusers themselves ...

An intimate portrait of Russian opposition leader Boris Nemtsov — once Deputy Prime Minister and “an heir of President Yeltsin”, later an uncompromising adversary of Putin — that was assassinated near the Kremlin in February 2015. Election campaigns and hotel beds, protest rallies and office routine, train compartments and courtrooms, night walks and police vans – you have never seen any politician so close. This is a story how a journalist assignment turns into a genuine friendship.

The documentary project The Term was conceived in May 2012. When the directing trio commenced mapping the Russian sociopolitical landscape, Vladimir Putin had just settled into the Kremlin for his third term. The original experimental format of “documentary bulletins,” which were published daily online, allowed for wide-ranging content; in the feature film version, however, the filmmakers focused solely on the members of various opposition groups. Nevertheless, the work’s neutral position remains and viewers have to interpret the objectively presented situations for themselves. The main characteristics of this strongly authentic movie include close contact with the protagonists, precise editing, and an effectively controlled release of information.

A youth comedy about the tragedy of the first love. An experiment in the area of the film language. REC, accidentally pressed in the middle of a fight. Jealosies, breakups, reunions. A few bedroom scenes, shot with a home camera. Cries and whispers of the urban outskirts. The audience of the film are both Bergman fans and YouTube viewers.