José Araújo

참여 작품

Escadas de Bootstrap
Leônidas
As Tentações do Irmão Sebastião
Producer
Sebastian, a novice in a post-apocalyptic Brazilian monastery, prepares to be ordained while struggling with intense doubts. Before priesthood, he must confess his greatest secrets: his rape as a child and the passion he has for another monk. He turns to penance and martyrdom to relieve his guilt.
As Tentações do Irmão Sebastião
Writer
Sebastian, a novice in a post-apocalyptic Brazilian monastery, prepares to be ordained while struggling with intense doubts. Before priesthood, he must confess his greatest secrets: his rape as a child and the passion he has for another monk. He turns to penance and martyrdom to relieve his guilt.
As Tentações do Irmão Sebastião
Director
Sebastian, a novice in a post-apocalyptic Brazilian monastery, prepares to be ordained while struggling with intense doubts. Before priesthood, he must confess his greatest secrets: his rape as a child and the passion he has for another monk. He turns to penance and martyrdom to relieve his guilt.
O Sertão das Memórias
Screenplay
Antero and Maria Araújo's story is the shortcut chosen by the director to show life in Maraima, a small town in the state of Ceará, Brazil, including life in community and the military influence. Maria wanders through the state praying to ward off the symbolical presence of the Dragon. That's when she finds Antero, an end-of-the-world prophet, who will join her in her pilgrimage and fight against the mythical being.
O Sertão das Memórias
Director
Antero and Maria Araújo's story is the shortcut chosen by the director to show life in Maraima, a small town in the state of Ceará, Brazil, including life in community and the military influence. Maria wanders through the state praying to ward off the symbolical presence of the Dragon. That's when she finds Antero, an end-of-the-world prophet, who will join her in her pilgrimage and fight against the mythical being.
They Don't Wear Black Tie
Juvêncio
Otavio is an idealistic union leader trying to organize workers at a factory to resist the company's exploitative practices. His son, Tião, one of the employees, is more of a realist and doesn't want to risk losing his job by striking. This clash of perspectives puts the father and son at odds. Fortunately, Tião's mother, Romana, is on hand to act as a moderator between the two opinionated men.