Avi Mizrahi

A school trip to Shoah memorials confronts young Israelis with a part of their identity and simultaneously with emotions and dynamics among themselves. A living appropriation of the past anchored in the present.

He is known as the Nazi officer who saves "The Pianist" -Wladyslaw Szpilman, in the Roman Polanski film, but his German hometown from which he ran the local school and went to the war, still refuses to recognize him as a hero. 70 years after the end of the war, a group of residents demand to commemorate the Nazi Officer, Wilm Hosenfeld, in the local school and the reactions are stormy. In the meantime, Hosenfeld's grandchildren discover their grandfather's secret diaries in which he documented Nazi war crimes and they embark on a journey of discovery. During this journey, they will find out that their grandfather was a serial savior and aside from "The Pianist", another 60 people owe him their lives.

At the age of 12 Shauly receives his first camera. 14 years later he finds the recordings. From his mature perspective, Shauly returns to the child he once was, to his cinematic attempts and to his biggest secret which only the camera caught.

Menachem, a former frontman for a rock band, is now religious, and a father to a six-year-old. When his daughter is diagnosed with cancer, he must find a creative solution to fund the expensive treatments. He reunites his band for one last tour. The journey to save his daughter exposes old wounds and allows him to reconnect with his secular past. Menachem understands that only a new connection to his past and to his music can pave the road to his own redemption.

사랑의 흔적을 찾아 이국 땅으로 향한 파티쉐 ‘토마스’ 사랑을 잃고 안간힘으로 버티는 카페 여주인 ‘아나트’ 사랑을 떠나기로 결심한 케이크 애호가 ‘오렌’ 그리고, 그들을 치유하는 달콤한 블랙 포레스트 케이크 … 사랑의 본질에 관한 가장 섬세하고 아름다운 이야기가 시작된다!

David is discharged from the army after serving for 27 years. He returns to his home and family after being distanced from them for years, and tries to find himself in his new civilian life. He believes that, like his friends who retired from the military before him, he too will find his way in some managerial position in the private sector, but he has difficulties adapting to the pace of the “new Israel”, a competitive culture obsessed with success and money.

An activist couple finds a temporary shelter in a decaying flat at the verge of the city after taking part in an anarchist action. He's obsessively trying to make the place a safe haven while she longs back to the riots. The film was made after the Tel-Aviv riots for social justice and it shows the conflict between the will to fight for change and the need in a more quiet and bourgeois life. The conflict is represented by the two characters and by the tension between the shut interior and the chaotic urban exterior.

An activist couple finds a temporary shelter in a decaying flat at the verge of the city after taking part in an anarchist action. He's obsessively trying to make the place a safe haven while she longs back to the riots. The film was made after the Tel-Aviv riots for social justice and it shows the conflict between the will to fight for change and the need in a more quiet and bourgeois life. The conflict is represented by the two characters and by the tension between the shut interior and the chaotic urban exterior.