Robert Vyhlídka

This is a romantic story about a brave, self-made girl, despised daughter of a shepherd. She is not afraid of anything - neither night nor swimming. But the superstitious villagers are telling weird stories about her and about all sorts of strange things, even her conjunction with the powers of hell.

A young doctor and a group of injured are hiding in an underground shelter and are liberated by Soviet soldiers.

Czech film tells the story of a border town in World War II. Family members and friends become enemies.

Shown in Cannes 1946.

Mist on the Moors examines fates of just about a few people. Their stories are outlined in a short space of time and are a symbolic representation of the drama of life, struggle for justice, human cognizance and the healing power of love. One of the most important components of the film is the nature, which ceases to be a mere stage for its plot—it serves almost as an autonomous plot agent. The movie landscape is a precisely defined and localized one. Only the South Bohemian ponds can serve as the right environment for development of such earthy and typically human stories as we encounter in the Mist on the Moors.

Rudolf Bartoš, the owner of a farm, quarry and factory, is extremely rich, however, he is unapproachable and irritable, and the dread of his employees. One day he falls down a steep slope by a river and hurts himself. The quarryman Fábera finds him groaning in pain and takes him to his cottage.

Drama directed by Miroslav Cikán.

A dashing but mysterious man saves a gambler from suicide, crashes the posh party of a prominent industrialist, falls in love with his daughter, and finds himself in a web of intrigue revolving around her blackmailing fiance and a gang of counterfeiters.