Bruno Boselli

From contact to distance, how do bodily perceptions vary? The body and space feel blurred. The sensation remains, almost ghostly of our bodies moving. Dancing or just being together seems like a distant memory.

From contact to distance, how do bodily perceptions vary? The body and space feel blurred. The sensation remains, almost ghostly of our bodies moving. Dancing or just being together seems like a distant memory.

From contact to distance, how do bodily perceptions vary? The body and space feel blurred. The sensation remains, almost ghostly of our bodies moving. Dancing or just being together seems like a distant memory.

In a city besieged by the wind and the cold, Irma, an old dressmaker living in a flat where the heating is broken, will take the initiative to do something for all her neighbours.

In a city besieged by the wind and the cold, Irma, an old dressmaker living in a flat where the heating is broken, will take the initiative to do something for all her neighbours.

In a city besieged by the wind and the cold, Irma, an old dressmaker living in a flat where the heating is broken, will take the initiative to do something for all her neighbours.

In two parallel stories, two ladies Clara and Paula are working upon their relationships, parenthood and at the same time not sacrificing professionals and sexual freedom of the couple.

내 이름은 '아닌아', 거꾸로 해도 '아닌아'. 우리 아빠는 행운의 이름이라고 멋지다 생각하지만, 친구들은 나를 보면 놀려대기 바쁘다. 그날도 내 이름으로 놀리는 친구 때문에 싸움이 벌어졌다. 하필 교장 선생님이 나타나 우릴 데려갔고, 신비한 봉투를 나눠주며 절대 열어보지 말고 일주일 후에 그대로 가져오라는 벌을 주셨다.

A divorced taxi driver shows up with a black eye at the home of his ex-wife’s new family; he’s been invited to dinner and he desperately wants to reconnect with his young daughter. A professional magician’s car breaks down and he ends up spending an emotionally intense night with a young, widowed toll booth worker. A singer songwriter serving a lengthy prison sentence is released for one night to perform at a local community centre. These three deeply engaging stories about yearning for connection unfold in parallel, one New Year’s Eve in a small town in central Uruguay, balancing the universality of human suffering with a powerful sense of hope.

A rural worker suffers an accident and understands that in a few minutes he is going to die. In absolute solitude and surrounded by a natural environment indifferent to his tragedy, he will face, without drama, the fact that these are his last minutes of life and nothing he can do to modify that destiny. Based on a story by Horacio Quiroga.