Jorge Prado

Buenos Aires, 2019. Lucrecia, who jobs as a museum security guard, foresees a sharp rise in the dollar’s value with her pendulum and falls in love with a currency exchange house employee.

When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost.

제자인 조안과 비밀 연애를 즐기던 루시아나는 잘못된 관계를 정리하고자 학교를 떠나려 한다. 하지만 그녀를 따라나선 조안과 함께 인적 드문 시골로 내려간 둘은 행복한 시간에 푹 빠져들고, 누구에게도 방해 받지 않던 둘만의 그곳에 의문의 남자가 찾아오면서 평범하지 않던 사랑도 결국 파국으로 치닫게 되는데....

In the middle of a mysterious insomnia epidemic that slowly takes on catastrophic dimensions, Laura (39) and Augusto (42) flee the city in their motorhome to get away from the chaos. As they move down the route, the world becomes an increasingly strange and dangerous place. Finally, Laura reveals a story that changes everything. The road is depopulating, the silence grows and it is increasingly difficult to differentiate the reality from the dream.

Claudia is a workaholic event planner. When a colleague asks her to plan her wedding, she starts to notice a lot of issues with the ceremony and changes it's location on the last minute, unfolding on a series of unfortunate events.

A rural police officer investigates the bizarre case of a headless woman's body. The prime suspect blames the crime on the appearance of a legendary monster.

Escaping from his criminal baptism, Reynaldo Galíndez, called el Rey, breaks into the patio of the house where Carlos Vargas, a retired security guard, lives. Carlos proposes Reynaldo a deal: he will repair the damage caused and, in return, Carlos will not call the police.

An old man, facing a housing problem, goes back to the place where he was raised. He starts to lose his mind, his memory slowly fades and confusion installs in his brain as he travels through those known landscapes.

예측불허의 끔찍한 재난, 학교를 둘러싼 기이한 괴담, 복수극, 살육, 스너프 필름에 이르는 다섯 가지의 도시 괴담이 현실로 벌어지고 아르헨티나의 수도인 부에노스아이레스는 살아있는 지옥이 된다. 한 정치인은 15명의 시민이 죽는 도시 비극의 책임에 대해서 공분을 사게 되고, 사람들은 각자의 내면에 잠들어 있던 악마성을 하나 둘 씩 꺼내어 보이게 되는데...

Based on a true story about a man obsessed to be father, this terrific horror movie, show how the human brain is capable to make the most terrible acts surpassing the real life. Winner as best horror movie and best main actor in the Mar Del Plata international film festival, this movie will shock your senses.

The protagonist is Axel, aged about 40, a doctor who no longer practices his craft. He is living temporarily with his sister and her children. He doesn't do much, just exists a little between the living and their things. One day, he meets a young, pregnant woman. A relationship develops, a kind of love, and they live together, like driftwood temporarily clinging on to each other.

Julio and El Polaco, in distant years, were inseparable friends in their hometown, near Necochea. The life of the first was governed by obedience to his mother, the despotism of his uncle and a style of honesty. El Polaco, on the other hand, was closer to marginalization and violence. Julio, turned into a businessman, takes root in the United States. The Pole continued his course in the place of those sometimes very cruel antics.

Still Breathing and theft in a financial, Joseph (Hector Alterio), an old anarchist, and a young employee, Pedro (Leonardo Sbaraglia) live for four days violent and compassionate alternatives in their desperate flight from the Patagonia Argentina. Along the way they encounter Ana (Cecilia Dopazo), a teenager who accompanies them on the trip.