Jorge Prado

Buenos Aires, 2019. Lucrecia, who jobs as a museum security guard, foresees a sharp rise in the dollar’s value with her pendulum and falls in love with a currency exchange house employee.

When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost.

Joan is a naïve, 16-year-old who falls in love easily. One day he decides to escape to the provinces with Luciana, a beautiful 35-year-old woman and a teacher at his school, in order to give free rein to his love. Soon, Joan discovers with horror that he has fallen into a trap that is a mix between sex, money, politics and violence.

В тёмные времена, когда загадочная эпидемия охватила весь мир, молодая пара покидает жилище и начинает путешествие в доме на колёсах. Они станут свидетелями преображения мира в жуткое, опасное место.

Claudia is a workaholic event planner. When a colleague asks her to plan her wedding, she starts to notice a lot of issues with the ceremony and changes it's location on the last minute, unfolding on a series of unfortunate events.

Полицейский расследует серию убийств женщин, обезглавленные тела которых были найдены в аргентинских Андах.

Escaping from his criminal baptism, Reynaldo Galíndez, called el Rey, breaks into the patio of the house where Carlos Vargas, a retired security guard, lives. Carlos proposes Reynaldo a deal: he will repair the damage caused and, in return, Carlos will not call the police.

An old man, facing a housing problem, goes back to the place where he was raised. He starts to lose his mind, his memory slowly fades and confusion installs in his brain as he travels through those known landscapes.

Город Буэнос-Айрес живет настоящим кошмаром, когда пять городских легенд становятся реальностью. Политика обвиняют в том, что он несет ответственность за городскую трагедию, в которой погибли пятнадцать человек. Другие ужасные истории также происходят в столице Аргентины, в которой участвуют мужчины и женщины, которые окажутся перед своими внутренними демонами.

Based on a true story about a man obsessed to be father, this terrific horror movie, show how the human brain is capable to make the most terrible acts surpassing the real life. Winner as best horror movie and best main actor in the Mar Del Plata international film festival, this movie will shock your senses.

The protagonist is Axel, aged about 40, a doctor who no longer practices his craft. He is living temporarily with his sister and her children. He doesn't do much, just exists a little between the living and their things. One day, he meets a young, pregnant woman. A relationship develops, a kind of love, and they live together, like driftwood temporarily clinging on to each other.

Julio and El Polaco, in distant years, were inseparable friends in their hometown, near Necochea. The life of the first was governed by obedience to his mother, the despotism of his uncle and a style of honesty. El Polaco, on the other hand, was closer to marginalization and violence. Julio, turned into a businessman, takes root in the United States. The Pole continued his course in the place of those sometimes very cruel antics.

Still Breathing and theft in a financial, Joseph (Hector Alterio), an old anarchist, and a young employee, Pedro (Leonardo Sbaraglia) live for four days violent and compassionate alternatives in their desperate flight from the Patagonia Argentina. Along the way they encounter Ana (Cecilia Dopazo), a teenager who accompanies them on the trip.