Catherine Anyango Grünewald

출생 : 1982-08-12,

약력

Catherine Zilpa Anyango Grünewald is a Swedish/Kenyan artist. She lives and works in Sweden, having moved from London where she taught for ten years at the Royal College of Art. She is now a Senior Lecturer at Konstfack University in Stockholm.

참여 작품

Silent Displacement – The Unknown Deportation of Ingria
Animation
"It Happened in Ingermanland" - about a forgotten people's displacement that took place during the Stalin's reign of terror in the Soviet Union. During the WW2, when the Nazi army arrived in the area of St. Peterburg/Leningrad about 63 000 Ingermanlanders was deported to Finland. In 1946 Stalin wanted them back for his work camps. About 5 000 fled to Sweden and settled there.
I Don't Protest, I Just Dance in My Shadow
Self
“I don’t want to feel like it’s only me. I know it’s not only me, because there are others out there…” ‘I Don’t Protest, I Just Dance In My Shadow’ is a short visual essay film by artist animator, Jessica Ashman, about navigating the visual art and animation world as a black face in a white space. Using animation and recorded interviews of eight other women of colour artists, ‘I Don’t Protest, I Just Dance In My Shadow’ is an abstract confessional from the director herself: a visualisation of the joy, frustration, wishes and dreams of what it feels like to be a black women and a woman of colour artist, creating and existing.
The slow death of a woman in Aleppo
Director
Hand-drawn animated short of a woman, confined to a wheelchair, struggling and ultimately failing to survive in war-torn Aleppo.
Live, moments ago. The Death of Michael Brown 9.8.2014
Director
Hand-drawn animated short reconstructing, frame by frame, a brief section of mobile phone footage of Michael Brown, who was murdered by police in the city of Ferguson, Missouri, in 2014. Brown's body lay on the hot pavement for four hours after being killed; the film is an attempt to make some meaning of that time. By drawing and redrawing the mobile phone footage, time is reinvested into the image, as an homage and to add value. The frames have been worked over and over, causing the paper to tear and to rupture, almost resembling burning, recalling the violent protests and fires that broke out after the murder, as well as historical lynching fires.