After being accused wrongly of theft, a slightly addled servant runs away to the city, carrying as his only real possession an axe, which he claims to have killed a tiger with. He takes up life among India's throngs of city-dwelling homeless, and for a little while almost has a decent time of it. He has a girlfriend, and one good friend, and gets by through begging and doing odd jobs.
Nupur Chatterji has fled from her home in Delhi, resisting an arranged marriage with a man she dislikes. She comes to Calcutta to her college friend, but as her home is not safe she takes shelter in the house of one Anjan Mukherjee. Though initially annoyed, Anjan, a bachelor and a music director cum singer from Lucknow, comes to empathise with Nupur. In this situation enters the great detective Bhanu with Jahar, his assistant, for by now Dr. Digambar Chatterji has declared a prize money of ten thousand rupees for finding his missing daughter.
Visitor to Halla
Goopy Gyne and Bagha Byne are banished from their respective villages for being bad musicians. However, with their skills, they succeed in pleasing the king of ghosts who grants them three boons. How will they succeed in preventing the war between Halla and Shundi which is looming large?
Suparna is distraught on seeing her sister getting close to her husband, Amitabha. Things take a turn for the worse when Amitabha's sister dies and the suspicion falls on Suparna.
The widower land-lord fixes his wayward step-brother's alliance with priest's daughter. Groom disappears on wedding day, and he is forced to marry her. The brother comes back and when the elder brother dies, tries to dispossess the widow.
은퇴한 변호사는 순례에서 돌아오던 기차에서 성스러운 남자 비린치 바바와 그의 조수를 만나 그의 초자연적인 삶에 완전히 사로잡힌다. 변호사는 성인을 집으로 모셔오고, 변호사의 딸 부키는 바바의 충실한 제자가 되기를 자처한다. 사실 부키는 남자친구에게 복수하기 위해 바바의 제자가 되기로 했다. 남자친구는 바바가 사기꾼이라는 사실을 폭로하여 여자친구를 되찾고자 한다.
(영화의 전당)
A story of love and sacrifice of a mother who did everything to protect her child ,even from her husband.
젊은 주부 아라티는 은행원인 남편의 월급으로는 살림을 꾸리기 쉽지 않다. 그녀는 직접 직업을 구하기로 결심하지만 남편은 모욕을 받았다고 느끼고 시부모는 반대한다. 자존심이 없는 남자만이 아내를 일하게 한다고 그들은 생각한다. 그러나 시대는 변했고, 아라티는 망설임 끝에 립스틱을 바르고 직장에 출근한다. 아라티는 무난하게 사회생활에 적응하지만 가정에서는 문제가 생긴다. 시아버지는 아라티의 남편에게 냉전을 선포하고 묵비권을 행사한다. 남편은 자신의 상처받은 자존심을 새로 집안의 가장이 된 아내의 위치에 맞게 재조정한다.
The school of a remote and poor village shut down, the head master Krishna Prasanna (Chhabi) migrates to city in search of job. He moves with family, wife Labanya (Karuna), nubile daughter (Ranjana) and very young son. He takes residence with his wife's brother. He meets per chance one of his ex students, of whom he used to take free evening classes and many of whom got merit scholarship and became cream of society, a doctor, a judge, successful lawyer, manager of a big bank and so on. Can he cross the barrier and meet them? All have big bungalows and office with watchmen to stop. If he managed to meet them, will they recall his contribution and help their benefactor? If they do, what change he has to bring in himself? Can he?
