Mathilde Mosnier

참여 작품

Je t'aime, filme-moi!
This film is a tribute to love, a tribute to cinema. Our two main characters take us with them into the intimacy of "real people". We cross the roads of France with them, in their different vans and pick-up trucks transformed for the occasion into mini movie studios. Their concept: to film "declarations of love" and to deliver them directly by van to their recipients. And we discover, as we go along, that our duo and their own personal adventures are subtly intertwined with the people they film. This mix of genres offers several universes to the spectator in order to make him question himself about love.
Adieu Vénus
La Beauté
Beauty, a virgin Aphrodite-Venus, Ideal of a woman, is supported in order to be able to return from where she came, to her origin, pure, before the Acropolis, having taken the wrong path, via Venice, having been deviated - as tragically revealed by the child (son to whom and from whom?) Given to him by a Mother, such abandonment is given to her - by a man with multiple figures, evoking a non-antagonist Oedipus-Christian, an opponent , wrestler, to the world, himself supported by Epigone, both at their greatest risk.
Joyce
로맨스
Phillis
17세기 프랑스에서 큰 인기를 끌었던 목가적 로맨스『아스트레』를 원작으로 사랑에 몰두한 목동과 시골 처녀의 생활과 모험을 신화적 화면에 담아낸 작품. 사랑을 의심받자 결백을 주장하기 위해 강물에 몸을 던진 잘생긴 목동 셀라동은 님프들에 의해 살아나고, 아스트레의 사랑을 다시 얻기 위해 드루이드교 사제 연기를 하게 된다.