This film is a tribute to love, a tribute to cinema. Our two main characters take us with them into the intimacy of "real people". We cross the roads of France with them, in their different vans and pick-up trucks transformed for the occasion into mini movie studios. Their concept: to film "declarations of love" and to deliver them directly by van to their recipients. And we discover, as we go along, that our duo and their own personal adventures are subtly intertwined with the people they film. This mix of genres offers several universes to the spectator in order to make him question himself about love.
La Beauté
Beauty, a virgin Aphrodite-Venus, Ideal of a woman, is supported in order to be able to return from where she came, to her origin, pure, before the Acropolis, having taken the wrong path, via Venice, having been deviated - as tragically revealed by the child (son to whom and from whom?) Given to him by a Mother, such abandonment is given to her - by a man with multiple figures, evoking a non-antagonist Oedipus-Christian, an opponent , wrestler, to the world, himself supported by Epigone, both at their greatest risk.
Phillis
O pastor Celadon e a pastora Astrea estão unidos por um puro amor. Enganada por um invejoso que a corteja, Astrea ordena a Celadon que desapareça para sempre da sua vista. Em desespero, ele atira-se ao rio. Astrea pensa que ele morreu, mas Celadon é salvo pelas ninfas. Louco de amor e desespero, enfeitiçado por ninfas, rodeado de rivais e forçado a disfarçar-se de mulher para se poder aproximar da amada, como é que Celadon vai conseguir que ela o reconheça sem desobedecer à sua ordem?
