Cyril Schäublin
출생 : 1984-11-16, Zurigo, Svizzera
Editor
19세기, 새로운 기술이 등장하며 시계를 만드는 스위스 한 마을은 변화를 겪는다. 이 마을에서 조용히 일어난 무정부주의 운동 지지 현장에서 한 러시아인 여행자와 시계 공장 노동자가 만난다.
Writer
19세기, 새로운 기술이 등장하며 시계를 만드는 스위스 한 마을은 변화를 겪는다. 이 마을에서 조용히 일어난 무정부주의 운동 지지 현장에서 한 러시아인 여행자와 시계 공장 노동자가 만난다.
Director
19세기, 새로운 기술이 등장하며 시계를 만드는 스위스 한 마을은 변화를 겪는다. 이 마을에서 조용히 일어난 무정부주의 운동 지지 현장에서 한 러시아인 여행자와 시계 공장 노동자가 만난다.
Director
As snow falls over a city, people share secret tricks with each other. Like how to kiss somebody and make them disappear, or having thoughts which are unrecognizable to machines.
Producer
In 1887, Peter Kropotkin stayed briefly in the Swiss Jura, fiefdom of the watchmaking industry and epicentre of the international anarchist movement. He would retain a strong impression of his encounter with the highly organised local workers, whose “equalitarian relationships and independent thought” he would praise in his diary. 140 years after the “conversion” of this man who was to theorise libertarian communism a little later on, Cyril Schäublin restages fragments of this diary read in Russian, in the current setting. A place in which his ancestors, who worked from generation to generation in the watchmaking manufactures of this region until their closure, still survive.
Director
In 1887, Peter Kropotkin stayed briefly in the Swiss Jura, fiefdom of the watchmaking industry and epicentre of the international anarchist movement. He would retain a strong impression of his encounter with the highly organised local workers, whose “equalitarian relationships and independent thought” he would praise in his diary. 140 years after the “conversion” of this man who was to theorise libertarian communism a little later on, Cyril Schäublin restages fragments of this diary read in Russian, in the current setting. A place in which his ancestors, who worked from generation to generation in the watchmaking manufactures of this region until their closure, still survive.
Writer
Using her skills of selling Internet and insurance deals, young call center employee Alice calls up elderly strangers and pretends to be their granddaughter in urgent need of money. As this trick quickly makes her rich, the film observes people and places in Zurich, all mysteriously connected to Alice’s business.
Editor
Using her skills of selling Internet and insurance deals, young call center employee Alice calls up elderly strangers and pretends to be their granddaughter in urgent need of money. As this trick quickly makes her rich, the film observes people and places in Zurich, all mysteriously connected to Alice’s business.
Director
Using her skills of selling Internet and insurance deals, young call center employee Alice calls up elderly strangers and pretends to be their granddaughter in urgent need of money. As this trick quickly makes her rich, the film observes people and places in Zurich, all mysteriously connected to Alice’s business.
Director
A contemplative search for traces of life in an abandoned industrial area, which once used to be the biggest and most modern coal mine in the world.
Producer
“I think this is one of the only places in Seattle where people can come and everybody is the same.” Christopher Hogan, Security Officer Created for the exhibition "Culture:City" curated by the architects Mathias Sauerbruch (Sauerbruch/Hutton) and Wilfried Wang, Akademie der Künste Berlin
Editor
“I think this is one of the only places in Seattle where people can come and everybody is the same.” Christopher Hogan, Security Officer Created for the exhibition "Culture:City" curated by the architects Mathias Sauerbruch (Sauerbruch/Hutton) and Wilfried Wang, Akademie der Künste Berlin
Cinematography
“I think this is one of the only places in Seattle where people can come and everybody is the same.” Christopher Hogan, Security Officer Created for the exhibition "Culture:City" curated by the architects Mathias Sauerbruch (Sauerbruch/Hutton) and Wilfried Wang, Akademie der Künste Berlin
Director
“I think this is one of the only places in Seattle where people can come and everybody is the same.” Christopher Hogan, Security Officer Created for the exhibition "Culture:City" curated by the architects Mathias Sauerbruch (Sauerbruch/Hutton) and Wilfried Wang, Akademie der Künste Berlin
Screenplay
A mass panic at a vast subway station somewhere in the Northwestern hemisphere leaves its survivors perplexed. What happened to trigger the stampede? At the peak of the rush hour the film goes on a journey into the landscape of public fears.
Director
A mass panic at a vast subway station somewhere in the Northwestern hemisphere leaves its survivors perplexed. What happened to trigger the stampede? At the peak of the rush hour the film goes on a journey into the landscape of public fears.
Director
A mirror is located in the elevator of a big subway station in Berlin. Passengers from all parts of the world enter and leave to change between the different platforms. In the mirror they are facing themselves.
Writer
Two teenagers' lives are brought together through internet webcams. Anton's desire is awakened after discovering Lenny's personal video blog on YouTube. Away from the screen, Anton wanders through the big city, wondering whether his virtual meeting with Lenny has a place in the real world.
Director
Two teenagers' lives are brought together through internet webcams. Anton's desire is awakened after discovering Lenny's personal video blog on YouTube. Away from the screen, Anton wanders through the big city, wondering whether his virtual meeting with Lenny has a place in the real world.
Producer
"The savage lives within himself, while social man lives constantly outside himself, and only knows how to live in the opinion of others." -Jean-Jacques Rousseau
Editor
"The savage lives within himself, while social man lives constantly outside himself, and only knows how to live in the opinion of others." -Jean-Jacques Rousseau
Cinematography
"The savage lives within himself, while social man lives constantly outside himself, and only knows how to live in the opinion of others." -Jean-Jacques Rousseau
Writer
"The savage lives within himself, while social man lives constantly outside himself, and only knows how to live in the opinion of others." -Jean-Jacques Rousseau
Director
"The savage lives within himself, while social man lives constantly outside himself, and only knows how to live in the opinion of others." -Jean-Jacques Rousseau
Editor
Silent short film by Cyril Schäublin.
Cinematography
Silent short film by Cyril Schäublin.
Writer
Silent short film by Cyril Schäublin.
Director
Silent short film by Cyril Schäublin.