Cyril Schäublin

Cyril Schäublin

Рождение : 1984-11-16, Zurigo, Svizzera

Профиль

Cyril Schäublin

Фильмы

Unrest
Editor
In 1877, in a watch factory in a valley in north-western Switzerland, Josephine produces balance spindles, tiny parts that ensure the agitation movement ("unrueh") of the mechanical watches. She soon grows uneasy with the organisation of work and possession in the village and its factory and joins the anarchist worker movement of the local watchmakers. There she meets Piotr Kropotkin, a moony Russian traveller. The two of them meet at a time when new technologies such as time measurement, photography and the telegraph are transforming the social order and anarchist discourse is addressing emerging nationalism. During a walk in the woods, Josephine and Piotr ask themselves whether time, money and the government are not all but fictions.
Unrest
Writer
In 1877, in a watch factory in a valley in north-western Switzerland, Josephine produces balance spindles, tiny parts that ensure the agitation movement ("unrueh") of the mechanical watches. She soon grows uneasy with the organisation of work and possession in the village and its factory and joins the anarchist worker movement of the local watchmakers. There she meets Piotr Kropotkin, a moony Russian traveller. The two of them meet at a time when new technologies such as time measurement, photography and the telegraph are transforming the social order and anarchist discourse is addressing emerging nationalism. During a walk in the woods, Josephine and Piotr ask themselves whether time, money and the government are not all but fictions.
Unrest
Director
In 1877, in a watch factory in a valley in north-western Switzerland, Josephine produces balance spindles, tiny parts that ensure the agitation movement ("unrueh") of the mechanical watches. She soon grows uneasy with the organisation of work and possession in the village and its factory and joins the anarchist worker movement of the local watchmakers. There she meets Piotr Kropotkin, a moony Russian traveller. The two of them meet at a time when new technologies such as time measurement, photography and the telegraph are transforming the social order and anarchist discourse is addressing emerging nationalism. During a walk in the woods, Josephine and Piotr ask themselves whether time, money and the government are not all but fictions.
Gotta Fabricate Your Own Gifts
Director
As snow falls over a city, people share secret tricks with each other. Like how to kiss somebody and make them disappear, or having thoughts which are unrecognizable to machines.
Kropotkin
Producer
In 1887, Peter Kropotkin stayed briefly in the Swiss Jura, fiefdom of the watchmaking industry and epicentre of the international anarchist movement. He would retain a strong impression of his encounter with the highly organised local workers, whose “equalitarian relationships and independent thought” he would praise in his diary. 140 years after the “conversion” of this man who was to theorise libertarian communism a little later on, Cyril Schäublin restages fragments of this diary read in Russian, in the current setting. A place in which his ancestors, who worked from generation to generation in the watchmaking manufactures of this region until their closure, still survive.
Kropotkin
Director
In 1887, Peter Kropotkin stayed briefly in the Swiss Jura, fiefdom of the watchmaking industry and epicentre of the international anarchist movement. He would retain a strong impression of his encounter with the highly organised local workers, whose “equalitarian relationships and independent thought” he would praise in his diary. 140 years after the “conversion” of this man who was to theorise libertarian communism a little later on, Cyril Schäublin restages fragments of this diary read in Russian, in the current setting. A place in which his ancestors, who worked from generation to generation in the watchmaking manufactures of this region until their closure, still survive.
Кому жить хорошо
Writer
Воспользовавшись навыками продажи страховых полисов по интернету, Алиса звонит пожилым незнакомцам и представляется их внучкой, сообщая, что ей очень нужны деньги. Эта уловка помогла ей быстро разбогатеть. В фильме мы видим разных людей и разные районы Цюриха, которые все непостижимым образом связаны с Алисой.
Кому жить хорошо
Editor
Воспользовавшись навыками продажи страховых полисов по интернету, Алиса звонит пожилым незнакомцам и представляется их внучкой, сообщая, что ей очень нужны деньги. Эта уловка помогла ей быстро разбогатеть. В фильме мы видим разных людей и разные районы Цюриха, которые все непостижимым образом связаны с Алисой.
Кому жить хорошо
Director
Воспользовавшись навыками продажи страховых полисов по интернету, Алиса звонит пожилым незнакомцам и представляется их внучкой, сообщая, что ей очень нужны деньги. Эта уловка помогла ей быстро разбогатеть. В фильме мы видим разных людей и разные районы Цюриха, которые все непостижимым образом связаны с Алисой.
Modern Times
Director
A contemplative search for traces of life in an abandoned industrial area, which once used to be the biggest and most modern coal mine in the world.
Public Library
Producer
“I think this is one of the only places in Seattle where people can come and everybody is the same.” Christopher Hogan, Security Officer Created for the exhibition "Culture:City" curated by the architects Mathias Sauerbruch (Sauerbruch/Hutton) and Wilfried Wang, Akademie der Künste Berlin
Public Library
Editor
“I think this is one of the only places in Seattle where people can come and everybody is the same.” Christopher Hogan, Security Officer Created for the exhibition "Culture:City" curated by the architects Mathias Sauerbruch (Sauerbruch/Hutton) and Wilfried Wang, Akademie der Künste Berlin
Public Library
Cinematography
“I think this is one of the only places in Seattle where people can come and everybody is the same.” Christopher Hogan, Security Officer Created for the exhibition "Culture:City" curated by the architects Mathias Sauerbruch (Sauerbruch/Hutton) and Wilfried Wang, Akademie der Künste Berlin
Public Library
Director
“I think this is one of the only places in Seattle where people can come and everybody is the same.” Christopher Hogan, Security Officer Created for the exhibition "Culture:City" curated by the architects Mathias Sauerbruch (Sauerbruch/Hutton) and Wilfried Wang, Akademie der Künste Berlin
Stampede
Screenplay
A mass panic at a vast subway station somewhere in the Northwestern hemisphere leaves its survivors perplexed. What happened to trigger the stampede? At the peak of the rush hour the film goes on a journey into the landscape of public fears.
Stampede
Director
A mass panic at a vast subway station somewhere in the Northwestern hemisphere leaves its survivors perplexed. What happened to trigger the stampede? At the peak of the rush hour the film goes on a journey into the landscape of public fears.
Portrait
Director
A mirror is located in the elevator of a big subway station in Berlin. Passengers from all parts of the world enter and leave to change between the different platforms. In the mirror they are facing themselves.
Lenny
Writer
Two teenagers' lives are brought together through internet webcams. Anton's desire is awakened after discovering Lenny's personal video blog on YouTube. Away from the screen, Anton wanders through the big city, wondering whether his virtual meeting with Lenny has a place in the real world.
Lenny
Director
Two teenagers' lives are brought together through internet webcams. Anton's desire is awakened after discovering Lenny's personal video blog on YouTube. Away from the screen, Anton wanders through the big city, wondering whether his virtual meeting with Lenny has a place in the real world.
My brother, the raven
Producer
"The savage lives within himself, while social man lives constantly outside himself, and only knows how to live in the opinion of others." -Jean-Jacques Rousseau
My brother, the raven
Editor
"The savage lives within himself, while social man lives constantly outside himself, and only knows how to live in the opinion of others." -Jean-Jacques Rousseau
My brother, the raven
Cinematography
"The savage lives within himself, while social man lives constantly outside himself, and only knows how to live in the opinion of others." -Jean-Jacques Rousseau
My brother, the raven
Writer
"The savage lives within himself, while social man lives constantly outside himself, and only knows how to live in the opinion of others." -Jean-Jacques Rousseau
My brother, the raven
Director
"The savage lives within himself, while social man lives constantly outside himself, and only knows how to live in the opinion of others." -Jean-Jacques Rousseau
Thanatos
Editor
Silent short film by Cyril Schäublin.
Thanatos
Cinematography
Silent short film by Cyril Schäublin.
Thanatos
Writer
Silent short film by Cyril Schäublin.
Thanatos
Director
Silent short film by Cyril Schäublin.