Marianne Roussy

When Lili, 26 years old, poor, single mother of three, is wrongly accused of abuse and the social services take away her children, she collapses. But this is without counting on the luminous meeting of other women. With them, Lili fights to rebuild her family.

Justine has never dated a woman, and Katia knows her life is hanging by a thread. But when they meet, it's love at first sight. Katia and Justine decide to confront life living a love story, and giving birth to a baby girl, Jeanne. Twelve years later, Justine come to an orderly life and Katia, who kept the child, learn she is doomed. She has to find urgently a guardian for her daughter. Her only option : her brother William, a cynical and desillusioned writer...

It’s summer and France is hit by a polar cold. Ten lone and lost souls find each other, a profound meeting as a last chance to hope and fear, to love and dream. Ten tales as tribute to Monet’s Water Lilies, ten tales portraying an impressionist painting of today’s France.

How did time begin? Humanity has asked this question since the dawn of time. Six years in the making, Eternal Sky spans three continents following one of our time's most ambitious scientific endeavors. Did the Big Bang happen, or did something else occur? This feature documentary follows in the footsteps of Jim Simons and some of the world's leading astrophysicists as they seek to unravel the origins of time. Set against the remote Andes in the Chilean Atacama desert, the film tells an intimate story behind one of science's most competitive races: the hunt for the origins of time. In a unique, lyrical parallel, the film follows the lives of several Atacameno elders who bring an original vision of the cosmos, which offers viewers a mysterious, magical, and philosophical perspective. The coexistence between scientists and the local Atacameno culture is a confrontation between the mystical and the existential.

Julie and Mathieu, soon after meeting for the first time, embark in a quest across Paris to stop one of Mathieu’s pupil at school from doing anything stupid after finding a disturbing love note. Inside Mathieu’s old little car, the two characters mix like oil and water, with the math teacher’s carelessness for others not going so well with Julie’s larger than life personality. The more Mathieu discovers some fragility under Julie’s exuberance, the more the two become inseparable.

45,000 patients died in French psychiatric hospitals between 1939 and 1945. A single site escaped this carnage: the asylum in Saint-Alban, an isolated village in Lozère. What happened there for it to be an exception? Retracing several decades in the history of this important site of psychiatry, using precious archival films and the accounts of those who worked there, Martine Deyres answers this question and, in doing so, shows how the political courage and poetic audacity that were practised there contributed to changing medicine and society’s perception on madness. Intersecting in the crucible of this movement called “institutional psychotherapy” were members of the Resistance, artists, doctors and philosophers—including Paul Eluard, Tristan Tzara and Georges Canguilhem.

그리스 경제 위기와 관련, 2015년 그리스 정부와 유럽 연합 간의 정면 대결을 극화한 작품으로, 감독은 이를 "현시대에 재현되는 고대 그리스의 비극"이라고 표현한다.

The swimming pool has played an important role throughout film history – most often as a romping ground for the sophisticated and hedonistic Dolce Vita. But it can be so much more, even sinister, as in Sunset Boulevard. In Leyenda dorada a rather unglamorous swimming pool of diminished charm forms the focal point of the story. A lazy summer’s day in the Spanish village of Montánchez, and people of all ages enjoy themselves at the outdoor pool. It is an almost utopian depiction of community, under the lofty, watchful gaze of Our Lady of Consolation. While conflicts, aggression, rivalries and animosities have a siesta, the villagers take a well-deserved break. Formally, the film draws on the tradition of New Objectivity. But unlike Robert Siodmak’s Menschen am Sonntag (1930) and its lido sequence, this is a wee summer fairy tale.

Α tragi-comedy about 9 women of different ages and various backgrounds that gather in an Algerian hammam to talk about their lives.

는 시인이자 영화감독이었던 이탈리아 거장 피에르 파올로 파솔리니의 마지막 하루를 재구성한 문제작이다. 1975년 11월2일 살해 당일 파솔리니는 어머니와 몇몇 가까운 친구들과 함께 시간을 보낸 후 로마로 밤의 유희를 즐기러 떠난다. 다음 날 오스티 해변가에서 그의 시신이 발견된다. 파솔리니만큼 많은 스캔들을 불러일으킨 영화사의 거장도 없을 것이다. (1971), (1975) 등 검열에 도전하는 파격적이고 불편한 영화들을 만들었으며 그의 작품에 대해서는 늘 찬반양론이 엇갈렸다. 이를 반영이라도 하듯 페라라의 신작은 파솔리니의 영화 일부를 스크린에 투영하며 문을 열고, 그것을 들여다보는 거장의 모습으로 옮겨간다. 세계적인 성격파 배우 윌렘 데포가 파솔리니 역을 맡아 열연한 이 영화는 아벨 페라라와 윌렘 데포 콤비가 만들어낸 최신작으로 현실과 판타지를 넘나드는 강렬함으로 가득하다. (이수원_2014년 제19회 부산국제영화제)

Riva is a small time operator who has just returned to his hometown of Kinshasa, Congo after a decade away with a major score: a fortune in hijacked gasoline. Wads of cash in hand and out for a good time, Riva is soon entranced by beautiful night club denizen Nora, the kept woman of a local gangster.