Joaquín Vidriales

참여 작품

No somos de piedra
Lucas, typical average Spaniard, shy, gray and repressed, is married to sanctimonious Enriqueta, so he is always aware of other women, although the couple are already parents of nine children, which is why Lucas will do the unspeakable to convince his wife to take the contraceptive pill, something practically sinful for a practicing Catholic like Enriqueta.
Melancholy Autumn
Un gangster
Lucas is an orphan who lives with his mother Mary, a worker in a factory in Barcelona. One day they meet Captain Andres.
El aprendiz de malo
Socio de Bautista
The Tenant
Pala
One unlucky day, a married couple with four children get an eviction notice: the building they live in is to be demolished. The family looks desperately for a new home, which is no easy task in Madrid in the fifties.
Il marito
Alberto's marriage is a complete failure: his wife Elena is a hard woman influenced by her mother and sister who live with the married couple. Alberto is also experiencing financial problems and hopes for the help of a rich widow who is however interested in his sexual favours. Naturally Elena puts obstacles in his way and everything goes wrong. Alberto decides to change job then and becomes a sweets sales representative. Disillusioned with marital life he also changes his attitude towards women: he tells every woman he meets he is single.
My Uncle Jacinto
Agente secretario
Jacinto, a former bullfighter who lives miserably with his nephew Pepote, receives a letter reminding he, as agreed a few days before, he should go to a bullfight to be held that evening at Las Ventas. The letter infuriates Jacinto who thinks this is a joke, since he retired from the arena for years, has not signed any contract. When Jacinto is located around the square, picking up cigarette butts that pull the audience, make sure the letter was not a joke, because his name appears on the poster.
Afternoon at the Bulls
Director (uncredited)
Right-handers Ricardo Puente, Juan Carmona and Rondeño II, which will take the alternative are advertised in the poster. The first is an old bullfighter, famous in the past, as now, bitter and full of rancor, lives with Paloma, a woman who is not resigned to continue to be the lover of a man who has fallen into oblivion. Carmona, the Bullfighter of fashion, has a major contract to fight in America, but his wife Isabel wants to reject the offer. Ana Maria, the sister of Carmona, hopes that his brother adopted its relations with Rondeno II; but Carmona was opposed because considers it it a bad Bullfighter