Arnaud Soulier

Stories told along the river: a woman reunites with her ex-lover at a hydroelectric plant; meanwhile, a young man travels downstream to a temple in search of a cure for his insomnia.

Stories told along the river: a woman reunites with her ex-lover at a hydroelectric plant; meanwhile, a young man travels downstream to a temple in search of a cure for his insomnia.

2045년. 화성에 도착한 영화감독이 영화를 만든다. “고향, 머나먼 고향”을 기억하며 떠나온 곳에 남겨둔 사람들의 얼굴과 떠오르는 이미지를 기억한다. 영상과 아카이브 필름, 베트남 소수민족의 인터뷰를 통해 유령과도 같은 그들의 삶과 기억을 실험적인 형식으로 담아낸다.

Documenting the transformation of Bưởi Road in Hanoi, from a labyrinth of houses and small businesses to a highway, with demolition crew destroying buildings - some still inhabited, gleaners looking for metal scraps to sell for a living, and people living on the edge of this crowded road finding a way to keep on living.

Documenting the transformation of Bưởi Road in Hanoi, from a labyrinth of houses and small businesses to a highway, with demolition crew destroying buildings - some still inhabited, gleaners looking for metal scraps to sell for a living, and people living on the edge of this crowded road finding a way to keep on living.

In the dune landscape of a cemetery, or is it golf course? Past and present converge in the search for a grave.

Vietnam - 1946. Philippe is committed to pacifying an unknown country made of dense forests and spectacular mountains. His ideals collapse when he realizes that he must torture and kill a young vietnamese who is fighting for his independence. He decides to flee with her on an unpredictable journey to the heart of the jungle. They will discover who they are. This film is the story of their love.

When the urban landscape shapes the human relations: a mature woman, a bride and a group of young people seek proximity in the anonymity of the big city.

At 33, Arman has decided to change his life. He starts by running. It’s a good start. Amélie carries on with her life. She runs, as well. The first encounter is a shock. The second is a stab in the heart.

1958. A twenty-year-old man leaves his native Algeria to make a living. Fifty years later, three teenagers and a big apartment overlooking a Parisian boulevard. At the corner of a room, a window, a face, come the films of Guy Gilles, traces, voices and images of an unknown work, out of tune with his time.

For several years, the Atlantic shipyards in Saint-Nazaire have been implementing a new work organization in order to reduce production costs. The principle is to make massive use of subcontracting and temporary workers. While the world's largest cruise ship, the Queen Mary 2, is being built, shipyard employees tell us how they are experiencing this organized insecurity. What consequences does this reorganization have on an individual and collective level? What changes does it imply in the conditions and relationships at work?