Arnaud Soulier

Пожилая женщина идет вверх по течению реки к гидроэлектростанции, чтобы встретить своего бывшего любовника, с которым провела только одну ночь тридцать лет назад. Тем временем юноша, страдающий бессонницей, идет вниз по течению в храм, чтобы встретить монаха, который может его излечить.

Пожилая женщина идет вверх по течению реки к гидроэлектростанции, чтобы встретить своего бывшего любовника, с которым провела только одну ночь тридцать лет назад. Тем временем юноша, страдающий бессонницей, идет вниз по течению в храм, чтобы встретить монаха, который может его излечить.

In 2045, a filmmaker lands on Mars and tries to make a film. “Home… Far away from home”, he recalls faces of people, thus a collection of moving images emerge.

Documenting the transformation of Bưởi Road in Hanoi, from a labyrinth of houses and small businesses to a highway, with demolition crew destroying buildings - some still inhabited, gleaners looking for metal scraps to sell for a living, and people living on the edge of this crowded road finding a way to keep on living.

Documenting the transformation of Bưởi Road in Hanoi, from a labyrinth of houses and small businesses to a highway, with demolition crew destroying buildings - some still inhabited, gleaners looking for metal scraps to sell for a living, and people living on the edge of this crowded road finding a way to keep on living.

In the dune landscape of a cemetery, or is it golf course? Past and present converge in the search for a grave.

Vietnam - 1946. Philippe is committed to pacifying an unknown country made of dense forests and spectacular mountains. His ideals collapse when he realizes that he must torture and kill a young vietnamese who is fighting for his independence. He decides to flee with her on an unpredictable journey to the heart of the jungle. They will discover who they are. This film is the story of their love.

When the urban landscape shapes the human relations: a mature woman, a bride and a group of young people seek proximity in the anonymity of the big city.

At 33, Arman has decided to change his life. He starts by running. It’s a good start. Amélie carries on with her life. She runs, as well. The first encounter is a shock. The second is a stab in the heart.

1958. A twenty-year-old man leaves his native Algeria to make a living. Fifty years later, three teenagers and a big apartment overlooking a Parisian boulevard. At the corner of a room, a window, a face, come the films of Guy Gilles, traces, voices and images of an unknown work, out of tune with his time.

For several years, the Atlantic shipyards in Saint-Nazaire have been implementing a new work organization in order to reduce production costs. The principle is to make massive use of subcontracting and temporary workers. While the world's largest cruise ship, the Queen Mary 2, is being built, shipyard employees tell us how they are experiencing this organized insecurity. What consequences does this reorganization have on an individual and collective level? What changes does it imply in the conditions and relationships at work?