Lisa Schulze

참여 작품

Charades
Key Makeup Artist
Barry is a down-and-out-guy who takes a job at the shipping department of Technoworks, a high-tech Yuppie company. He gets invited to the house of his boss Quinn, for a weekend afternoon barbecue with some of his boss's friends. The party gets weird, Barry plays a demented version of charades while standing on the picnic table, and the next door neighbor starts screaming racial slurs over the fence. When Jude, the widow of the ex-owner of Technoworks arrives, the plot thickens. Clues to past crimes are revealed, and the real reason for the party is discovered. But not before Barry beats the hell out of a tow-truck driver, screws the boss's wife and wreaks havok with the neighbor. And as the title suggests, before the day is over, we will discover who is the Felon, or perhaps the people at party are all, one way or another, Felons.
악마의 후예들
Makeup & Hair
A deranged killer wearing a clown mask begins preying on a group of young women working at a phone-sex company.
화성에서 온 침입자
Makeup Artist
외계 존재에 의해 마을 사람들이 장악되어 하나둘씩 인간성을 잃어가고 그에 대항하는 이야기. 윌리엄 캐머런 멘지스의 동명의 1953년 영화를 리메이크했다. 냉전 시대를 배경으로 한 전형적인 B급 SF인 원작에서 호러 요소를 좀 더 가미했고 외계인은 더욱 기괴해졌으며 스펙터클 역시 강화되었다.
Kiss My Grits
Makeup Artist
A man heads for Mexico with a mobster's girlfriend.
Don't Go Near the Park
Assistant Makeup Artist
In the prehistory of man, 12,000 years ago, two members of a superhuman tribe abuse the treasured secret of eternal youth. They use the methods of ritual cannibalism on the children of their own tribe and when discovered by the 'Queen' of the tribe, they are cursed to an eternity of old age with no chance to ever die. Now, in present day Los Angeles, their only hope to recapture eternal youth is the ritualistic sacrifice of a 16-year-old female virgin. Their existence is discovered by an investigative reporter and a young runaway child and this leads to an unexplained and terrifying confrontation
Four Ladies Dancing
Makeup & Hair
Four eccentric women inhabit the rococo ruins of an isolated gothic mansion, amusing themselves with innocent young ladies who occasionally join them. Their new guest, a quiet and haunted girl, arrives as a borderline schizophrenic. The four ladies taunt and humiliate their naïve young foundling, occasionally speaking to her in nonsensical non-sequiturs. She escapes, returns, and discovers her destiny, joining the countless others who came before her. “Four Ladies Dancing” was originally financed by a grant from The American Film Institute and features an all-female cast.