Ele mesmo
Art Department Coordinator
Production Design
Art Direction
This epic Brazilian film was based on the equally epic novel by Antonio Callado. Set between 1954 and 1964, the film's focus is the saga of Jesuit priest Nando. Fed up with civilization, he ventures deep into Amazon country to live with and work among the Xingu Indians.
Set Designer
때는 1925년, 브라질 동북 해안의 작은 도시인 일례우스에서 술집을 운영하는 나십과 가난하고 배운 데 없지만 매력적인 가브리엘라가 만난다. 가브리엘라는 술집의 요리사가 되고 나십의 정부이다가 부인이 된다. 동명의 소설이 원작이다.
Costume Design
Middle-class family reform their apartment, and the noise, the contact with the workers and strange occurrences turn what was supposed to be a trivial matter into a trip to hell.
Production Design
Middle-class family reform their apartment, and the noise, the contact with the workers and strange occurrences turn what was supposed to be a trivial matter into a trip to hell.
Art Direction
A millionaire lives in a sinister cottage where strange events unfold. A damned creature, he transforms himself in a werewolf and leads a following whose adepts spread horror and despair in the neighboring city, becoming themselves a clan of assassins. One day, the werewolf confronts Branca Justiça (White Justice), who summons benign forces to scathe them and frees him of his own wickedness.
Costume Design
A millionaire lives in a sinister cottage where strange events unfold. A damned creature, he transforms himself in a werewolf and leads a following whose adepts spread horror and despair in the neighboring city, becoming themselves a clan of assassins. One day, the werewolf confronts Branca Justiça (White Justice), who summons benign forces to scathe them and frees him of his own wickedness.
Costume Design
Daily scenes of a grotesque family living in the metaphorical island of Babaloo.
Set Decoration
A new incarnation of Cangaceiro bandits, led by Coirana, has risen in the badlands. A blind landowner hires Antônio to wipe out his old nemesis. Yet after besting Coirana and accompanying the dying man to his mountain hideout, Antônio is moved by the plight of the Cangaceiro’s followers. The troubled hitman turns revolutionary, his gun and machete aimed towards his former masters.