Sylvia Carissoli

참여 작품

스칼렛
Key Makeup Artist
1차 세계대전 직후에 노르망디의 어느 작은 마을을 배경으로 전개된다. 마을에서 배척받는 라파엘과 그의 딸 줄리엣은 외롭지만 자유롭고 평화로운 삶을 영위한다. 어느 날 한 마법사가 훗날 줄리엣이 하늘을 나는 주홍 돛을 단 배에 납치될 거라는 예언을 하고, 줄리엣은 이 예언을 굳게 믿으면서 왕자를 기다린다.
Canailles
Makeup Artist
Following a failed hold-up, leg-hurted Antoine is looking to hide at Elias's home. Nothing reserved the anarchist robber to meet this life-disciplined history teacher. Then, a strange balance of power set in, between ascendency and friendship, before the arrival of Lucie, investigator in charge of the case.
Kitchen Brigade
Key Makeup Artist
Cathy is a sous-chef wanting to open a restaurant. With financial difficulties, Cathy accepts a job at a shelter for young migrants. At first she hates the job then her passion for cuisine starts to change children's lives.
균열
Key Makeup Artist
10년을 함께 보낸 라파엘과 쥴리는 이별을 앞두고 있다. 그녀들의 애정전선의 균열은 마침 프랑스에서 일어나고 있는 또 다른 균열과 시점을 같이하고 있다. 노란 조끼(Gilet Jaune) 시위가 한창인 파리, 쥴리를 쫓아가던 라파엘은 넘어져 팔에 골절상을 입고 응급실로 후송된다. 마침 병원 정신과의 휴진으로 정신과 환자들이 밀어닥치고, 시위에서 부상당한 사람들이 밀려들면서 병원은 아수라장이 된다. 이 혼란의 한복판에서 라파엘은 시위에 참가했던 부상당한 운송 노동자 얀을 만난다. 시위에 대해 서로 다른 시각을 가진 화이트칼라 라파엘과 블루칼라 얀의 이 만남은 소란스러운 소동으로 이어진다.
People
People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.
Kiss Me!
Makeup Designer
Claude falls in love with Cécile. She is convinced that she is the woman of her life unlike her mother who knows the tumultuous sentimental life of her daughter.
세 번의 삶과 한 번의 죽음
Key Makeup Artist
네 개의 에피소드로 구성된 영화는 20년간 집을 떠났던 한 남자의 귀향에 관한 에피소드로 시작하여, 두 번째는 유명한 소르본 대학의 인류학 교수가 하루 아침에 거지가 된 이야기, 세 번째는 젊은 커플을 돌봐주는 하인의 이야기, 네 번째는 거짓말로 인해 엄청난 덫에 걸리게 되는 한 비지니스맨의 이야기로 끝을 맺는다.
Normal People Are Nothing Exceptional
Key Makeup Artist
Martine is 25. Since breaking up with François, she has the feeling that the world is caving in on her. Between small jobs and one-night stands, she can't seem to get a fix on herself. In desperation, after a last quarrel with François, she unintentionally causes an accident that leads her to the emergency ward of a psychiatric hospital. During her brief stay, she unexpectedly sparks into life. She takes an interest in two young patients, Pierre and Anne, convinced that she is doing the right thing in supervising their love life...
23h58
Makeup Artist
This "heist" film tells the story of a robbery in a stadium during the Le Mans 24 hour motorcycle race. Throughout the film are constant references to other movies in the genre. A policeman investigating the robbery is surprised to discover that the heist bears striking resemblance to the robbery depicted in Stanley Kubrick's 1956 film, The Killing. The robbery itself was perpetrated by Bernard, an ex-racer who dedicates the theft to a dead peer. He enlists the help of Thierry and several others to steal 6 million francs from the gate. He and his gang then hideout in the stadium until the race is over. Things are working against Bernard though. Two martial-arts experts try to cut in on the action. A gang member's girlfriend squeals to the cops, and an Arab assistant is killed.
The Other Night
Key Makeup Artist
When Éric and Marie go to meet their parents at the harbor for the holidays, the latter are victims of an overnight hit-and-run. Marie hides the truth from Éric, investigates the accident alone, and soon finds the presumed culprit.
Double Gentlemen
Makeup & Hair
In a routine look at what it means to finally leave adolescence behind — even in one’s mature years — this series of mood swings and sequences focuses on two grown men. Francois (Jean Francois Stevenin, the director) and Leo (Yves Alonso) are old friends, and at one point they decide to go out and search for one of their childhood buddies, the brunt of several of their practical jokes. In true form, the men opt for playing yet another practical joke on their friend, but their plans backfire when his wife Helene (Carole Bouquet) comes into the picture instead. Her presence forces them to reconsider their shenanigans in a new light.